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[null,"1.","Record Nr.",null,"UNICAMPANIASUN0022432"]
[null,null,"Autore",null,"Panizza, Mario <1950- >"]
[null,null,"Titolo",null,"Edifici per lo spettacolo / Mario Panizza"]
[null,null,"Pubbl/distr/stampa",null,"Roma ; Bari : Laterza, 1996"]
[null,null,"ISBN",null,"88-420-5015-6"]
[null,null,"Descrizione fisica",null,"VII, 162 p. : ill. ; 24x24 cm."]
[null,null,"Disciplina",null,"725.82"]
[null,null,"Soggetti",null,"Edifici per spettacoli - Architettura"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910790015303321"]
[null,null,"Autore",null,"Koestenbaum Wayne"]
[null,null,"Titolo",null,"The Anatomy of Harpo Marx / / Wayne Koestenbaum"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, CA : , : University of California Press, , [2012]"]
[{"$nulls":4},"©2012"]
[null,null,"ISBN",null,"1-280-11654-4"]
[{"$nulls":4},"9786613520838"]
[{"$nulls":4},"0-520-95198-0"]
[null,null,"Descrizione fisica",null,"1 online resource (311 p.)"]
[null,null,"Disciplina",null,"792.702/8092"]
[{"$nulls":4},"B"]
[null,null,"Soggetti",null,"Comedians - United States"]
[{"$nulls":4},"Comedians -- United States -- Biography"]
[{"$nulls":4},"Marx, Harpo"]
[{"$nulls":4},"Marx, Harpo, 1888-1964"]
[{"$nulls":4},"Motion picture actors and actresses - United States"]
[{"$nulls":4},"Motion picture actors and actresses -- United States -- Biography"]
[{"$nulls":4},"Music, Dance, Drama & Film"]
[{"$nulls":4},"Drama"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- I. Early Ecstatic Emptiness -- II. Later Astonishments -- III. The Idiot Tumbles Back to the Beginning of Time"]
[null,null,null,"Sommario/riassunto","The Anatomy of Harpo Marx is a luxuriant, detailed play-by-play account of Harpo Marx's physical movements as captured on screen. Wayne Koestenbaum guides us through the thirteen Marx Brothers films, from The Cocoanuts in 1929 to Love Happy in 1950, to focus on Harpo's chief and yet heretofore unexplored attribute-his profound and contradictory corporeality. Koestenbaum celebrates the astonishing range of Harpo's body-its kinks, sexual multiplicities, somnolence, Jewishness, \"cute\" pathos, and more. In a virtuosic performance, Koestenbaum's text moves gracefully from insightful analysis to cultural critique to autobiographical musing, and provides Harpo with a host of odd bedfellows, including Walter Benjamin and Barbra Streisand."]