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[null,"1.","Record Nr.",null,"UNINA9910789769603321"]
[null,null,"Titolo",null,"Morphology and its interfaces [[electronic resource] /] / edited by Alexandra Galani, Glyn Hicks, George Tsoulas"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., 2011"]
[null,null,"ISBN",null,"1-283-23448-3"]
[{"$nulls":4},"9786613234483"]
[{"$nulls":4},"90-272-8701-5"]
[null,null,"Descrizione fisica",null,"1 online resource (364 p.)"]
[null,null,"Collana",null,"Linguistik aktuell = Linguistics today (LA), , 0166-0829 ; ; v. 178"]
[null,null,"Disciplina",null,"415/.9"]
[null,null,"Soggetti",null,"Grammar, Comparative and general - Morphology"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"pt. 1. Interfaces with syntax and phonology -- pt. 2. Interfaces with semantics and the lexicon -- pt. 3. Interfaces in psycholinguistics and language acquisition."]
[null,null,null,"Sommario/riassunto","One of the most striking trends across linguistic research in recent years has been the examination of the interfaces between the various subcomponents of the language faculty. Yet, approaches to these interfaces across different theoretical frameworks differ substantially. This volume pulls together research into Morphology and its interfaces from researchers employing a variety of different theoretical and methodological perspectives: Morphology is a diverse field, and rather than aiming to collect works sharing a particular approach or framework of assumptions, this collection instead captu"]
[null,"2.","Record Nr.",null,"UNINA9910136242803321"]
[null,null,"Autore",null,"Krajnik Robert <p>Robert Krajnik, Johannes-Gutenberg-Universität Mainz, Deutschland </p>"]
[null,null,"Titolo"]
[{"$nulls":4},"Vom Theater zum Cyberspace : Körperinszenierungen zwischen Selbst und Algorithmus / Robert Krajnik"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2016"]
[null,null,"ISBN",null,"9783839436219"]
[{"$nulls":4},"3839436214"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (277 pages)"]
[null,null,"Collana",null,"Pädagogik"]
[null,null,"Disciplina",null,"792.07"]
[null,null,"Soggetti",null,"Theater"]
[{"$nulls":4},"Theatre"]
[{"$nulls":4},"Körper"]
[{"$nulls":4},"Body"]
[{"$nulls":4},"Medien"]
[{"$nulls":4},"Media"]
[{"$nulls":4},"Kultur"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Pedagogy"]
[{"$nulls":4},"Pädagogik"]
[{"$nulls":4},"Cyberspace"]
[{"$nulls":4},"Identität"]
[{"$nulls":4},"Identity"]
[{"$nulls":4},"Digitalisierung"]
[{"$nulls":4},"Digitalization"]
[{"$nulls":4},"Subjektbegriff"]
[{"$nulls":4},"Concept of Subject"]
[{"$nulls":4},"Bildung"]
[{"$nulls":4},"Education"]
[{"$nulls":4},"Medienpädagogik"]
[{"$nulls":4},"Media Education"]
[{"$nulls":4},"Theaterwissenschaft"]
[{"$nulls":4},"Theatre Studies"]
[{"$nulls":4},"Medienästhetik"]
[{"$nulls":4},"Media Aesthetics"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Theatrical-corporeal staging of the self in transition: what impacts does digitisation have on the co-ordination of subject formation?"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Inhalt    5 Einleitung    9 1. Alles Theater - Dionysos im Binärcode    21 2. Der Körper im Diskurs - der Körper als Bezug zur Gesellschaft    71 3. Der Körper als Erscheinung in der Welt    135 4. Der Körper als Teil der technischen Expansion    177 5. Cyberspace - Theater aus der Maschine    211 6. Die zwei Arten des Posthumanismus    221 7. Erziehungswissenschaftliche Konsequenzen    231 8. Schlussüberlegungen    249 Literatur- und Quellenverzeichnis    261 Zusammenfassung    271 Backmatter    273"]
[null,null,null,"Sommario/riassunto","Die körperliche Selbstinszenierung befindet sich – im Zuge der globalen Digitalisierung – in einem für die Identitätsbildung gravierenden Wandel. Dies hat zur Folge, dass die phänomenologische Verschmelzung des Körpers mit der Umwelt unübersichtlich manipulierbar wird. Die Universalisierung von Schriften, Sprachen, Symbolen und Bildern in den binärlogischen Code der Computertechnik erhebt die digitalen Maschinen zu Repräsentanten eines durch Daten definierten Positivismus. Wie sich in diesem Wandlungsprozess menschlicher Körper und Geist in einer neu ausgestalteten Natur der Dinge orientieren, wird unter anderem auf der Machtebene offensichtlich. Robert Krajniks Studie zeigt, wie der Subjektbegriff dabei zugespitzter denn je in Umbruch gerät."]
[{"$nulls":4},"Besprochen in:GMK-Newsletter, 10 (2016)Zeitschrift für Theaterpädagogik, 4 (2018), Pierre-Carl Link"]