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[null,"1.","Record Nr.",null,"UNINA990005767150403321"]
[null,null,"Autore",null,"Telmon, Tullio"]
[null,null,"Titolo",null,"Microsistemi linguistici in contatto in Val di Susa : l'articolo determinativo / Tullio Telmon ; presentazione di Corrado Grassi"]
[null,null,"Pubbl/distr/stampa",null,"Pisa : Pacini, stampa 1974"]
[null,null,"Descrizione fisica",null,"213 p. ; 24 cm"]
[null,null,"Collana",null,"Consiglio nazionale delle ricerche, Centro di studio per la dialettologia italiana ; 2"]
[null,null,"Disciplina",null,"457.1"]
[null,null,"Locazione",null,"NAP03"]
[{"$nulls":4},"FLFBC"]
[null,null,"Collocazione",null,"GLOTT. C III b 9"]
[{"$nulls":4},"457.1 TEL 2"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910511360203321"]
[null,null,"Autore",null,"Jackson Jeanne-Marie"]
[null,null,"Titolo",null,"South African literature's Russian soul : narrative forms of global isolation / / Jeanne-Marie Jackson"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Bloomsbury, , 2015"]
[null,null,"ISBN",null,"1-4742-5884-0"]
[{"$nulls":4},"1-4725-9301-4"]
[null,null,"Descrizione fisica",null,"1 online resource (249 p.)"]
[null,null,"Collana",null,"New horizons in contemporary writing"]
[null,null,"Disciplina",null,"809.8968"]
[null,null,"Soggetti",null,"South African literature - Russian influences"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. Introduction. Russia in the South African Imaginary -- 2. The Novel at a Crossroads: Gordimer, Tlali, & the Struggle for Form: I. Testing Trans-Century Parallels ;                                                                   II. Gordimer's Effacement by Narration ; III. The Path of Progress in Miriam Tlali's Amandla -- 3. Making Animals Work in Tolstoy, Coetzee, and Van Niekerk: I. Dismantling Tolstoy's Strider ; II. Coetzee's Action of Absence ; III. Enduring Isolation in Marlene van Niekerk's Triomf -- 4. Retreating Reality: Chekhov's South African Afterlives: I. Structuring Chekhovian Timelessness ; II. De Wet's Self-Disabling Response ; III. The Risky Business of Canonical Affirmation -- 5. Émigré Fiction and the Double-Bind of Home. I. Permeable Repossessions and Nabokov's Speak, Memory ; II. Mark Behr's Not-Quite-Global Novel ; III. Nkosi's Mandela's Ego as Ambivalent Mourning -- 6. Epilogue -- Works Cited -- Index."]
[null,null,null,"Sommario/riassunto","\"How do great moments in literary traditions arise from times of intense social and political upheaval? South African Literature's Russian Soul charts the interplay of narrative innovation and political isolation in two of the world's most renowned non-European literatures. In this book, Jeanne-Marie Jackson demonstrates how Russian writing's \"Golden Age\" in the troubled nineteenth-century has served as a model for South African writers both during and after apartheid. Exploring these two isolated literary cultures alongside each other, the book challenges the limits of \"global\" methodologies in contemporary literary studies and outdated models of center-periphery relations to argue for "]
[{"$nulls":4},"a more locally involved scale of literary enquiry with more truly global horizons.\"--Bloomsbury Publishing."]
[null,"3.","Record Nr.",null,"UNINA9910789727603321"]
[null,null,"Autore",null,"Honing Henkjan"]
[null,null,"Titolo",null,"The illiterate listener [[electronic resource] ] : on music cognition, musicality and methodology / / Henkjan Honing"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam, : Vossiuspers UvA, 2011"]
[null,null,"ISBN",null,"1-283-25937-0"]
[{"$nulls":4},"9786613259370"]
[{"$nulls":4},"90-485-1508-4"]
[null,null,"Descrizione fisica",null,"1 online resource (25 p.)"]
[null,null,"Disciplina",null,"780"]
[null,null,"Soggetti",null,"Music - Psychological aspects"]
[{"$nulls":4},"Cognition"]
[{"$nulls":4},"Musical ability"]
[{"$nulls":4},"Musical perception"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"The Illiterate Listener; Music and language; Music cognition; Musicality; Methodology; Epilogue; Acknowledgements; Notes; References"]
[null,null,null,"Sommario/riassunto","Since infancy we humans have had a high perceptual sensitivity to both the melodic, rhythmic and dynamic aspects of speech and music. It is, as far as we know, a uniquely human talent for perceiving, interpreting and appreciating music, dating as far back before words were spoken, or even invented. Music has an intriguing way with our hearing, our memory, our emotions and our expectations. As a listener we are often unaware of the active role we play when determining what music is exciting, comforting or exciting. Consequently, listening is not happening in the outside world of sounding music,"]