{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":4,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":60,"n_cols":5,"rows_kept":60,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[10,2,10,3],[16,2,16,3],[17,2,17,3],[19,2,19,3],[19,4,19,5],[20,2,20,3],[20,4,20,5],[21,2,21,3],[22,2,22,3],[23,2,23,3],[25,2,25,3],[25,4,25,5],[26,2,26,3],[26,4,26,5],[27,2,27,3],[27,4,27,5],[28,2,28,3],[30,2,30,3],[32,2,32,3],[33,2,33,3],[34,2,34,3],[35,2,35,3],[38,2,38,3],[39,2,39,3],[43,2,43,3],[45,2,45,3],[45,4,45,5],[46,2,46,3],[46,4,46,5],[47,2,47,3],[47,4,47,5],[48,2,48,3],[50,2,50,3],[51,2,51,3],[52,2,52,3],[53,2,53,3],[54,2,54,3],[55,2,55,3],[56,2,56,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA990007971120403321"]
[null,null,"Autore",null,"Clarizia, Renato"]
[null,null,"Titolo",null,"I contratti per il finanziamento dell'impresa : mutuo di scopo, leasing, factoring / Renato Clarizia"]
[null,null,"Pubbl/distr/stampa",null,"Torino : Giappichelli, 2002"]
[null,null,"ISBN",null,"88-348-2316-8"]
[null,null,"Descrizione fisica",null,"X, 580 p. ; 25 cm"]
[null,null,"Collana",null,"Trattato di diritto commerciale / diretto da Vincenzo Buonocore ; [poi] fondato da Vincenzo Buonocore ; diretto da Renzo Costi ; 2.4"]
[null,null,"Disciplina",null,"346.450 73"]
[null,null,"Locazione",null,"DEC"]
[{"$nulls":4},"FGBC"]
[null,null,"Collocazione",null,"DPR 23-811"]
[{"$nulls":4},"DPR 17/68/IV"]
[{"$nulls":4},"DPR 17/68/2-4"]
[{"$nulls":4},"DPR 17/69/II,4"]
[{"$nulls":4},"VIII G 311/1(4)"]
[{"$nulls":4},"DPR 23/811"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910712576903321"]
[null,null,"Titolo",null,"Water-resources appraisal of the Wet Mountain Valley, in parts of Custer and Fremont counties, Colorado"]
[null,null,"Pubbl/distr/stampa",null,"Denver, Colorado, : United States Department of the Interior, Geological Survey"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910782378203321"]
[null,null,"Autore",null,"Reid Mark (Mark A.)"]
[null,null,"Titolo",null,"Black lenses, Black voices : African American film now / / Mark A. Reid"]
[null,null,"Pubbl/distr/stampa",null,"Lanham, Maryland ; ; Oxford, England : , : Rowman & Littlefield Publishers, Inc., , 2005"]
[{"$nulls":4},"©2005"]
[null,null,"ISBN",null,"0-7425-2642-9"]
[{"$nulls":4},"0-7425-6861-X"]
[null,null,"Descrizione fisica",null,"1 online resource (145 p.)"]
[null,null,"Collana",null,"Genre and Beyond"]
[null,null,"Disciplina",null,"791.43/75/08996073"]
[null,null,"Soggetti",null,"African Americans in motion pictures"]
[{"$nulls":4},"African Americans in the motion picture industry"]
[{"$nulls":4},"Race in motion pictures"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Title Page; Copyright Page; Contents; Dedication; Acknowledgments; Introduction; 1 Early African American Film, 1912-1940 and Beyond; 2 Black Family Film: The 1990s; 3 Black Action Film after Twenty Years; 4 Two African American Horror Films; 5 Black Female-Centered Film; 6 Black Independent Film: Haile Gerima's Sankofa; Bibliography; Selected Filmography; Index; About the Author"]
[null,null,null,"Sommario/riassunto","Black Lenses, Black Voices is a provocative look at films directed and written-and sometimes produced-by African Americans, as well as black-oriented films whose directors and or screenwriters are not black. Taking us through the development of African American independent filmmaking before and after World War II, Mark A. Reid then illustrates the unique nature of African American family, action, horror, female-centered, and independent films, such as Eve's Bayou, Jungle Fever, Shaft, Souls of Sin, Bones, Waiting to Exhale, Monster's Ball, Sankofa, and many more."]
[null,"4.","Record Nr.",null,"UNINA9910789380403321"]
[null,null,"Autore",null,"Leo Teresa"]
[null,null,"Titolo",null,"Bloom in reverse / / Teresa Leo"]
[null,null,"Pubbl/distr/stampa",null,"Pittsburgh, Pennsylvania : , : University of Pittsburgh Press, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-8229-7964-0"]
[null,null,"Descrizione fisica",null,"1 online resource (103 pages)"]
[null,null,"Collana",null,"Pitt Poetry Series"]
[null,null,"Disciplina",null,"808.8193548"]
[null,null,"Soggetti",null,"Death"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Poems."]
[null,null,null,"Sommario/riassunto","Bloom in Reverse chronicles the aftermath of a friend's suicide and the end of a turbulent relationship, working through devastation and loss while on a search for solace that spans from local bars to online dating and beyond to ultimately find true connection and sustaining love. Things move backwards, from death to life, like a reverse time-lapse video of a dead flower morphing from brittle, scorched entity to floral glory to nascent bud. The poems seek to find those places where the natural world connects to and informs experiences at the core of human relationships, and at times call upon principles and theories from physics and mathematics to describe the complexities of love and loss. It's a book where grief, melancholy, heartbreak, and disillusionment intersect with urban romanticism, hope, possibility, and love. Bloom is all of it, the terrible and the beautiful."]