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[null,"1.","Record Nr.",null,"UNINA990004986360403321"]
[null,null,"Autore",null,"Carlyle, Thomas <1795-1881>"]
[null,null,"Titolo",null,"Past an Present / by Thomas Carlyle ; with an introduction by G. K. Chesterton"]
[null,null,"Pubbl/distr/stampa",null,"London, : Oxford Universtiy Press, 1965"]
[null,null,"Descrizione fisica",null,"XV, 331 p. ; 16 cm"]
[null,null,"Collana",null,"The world's classics ; 153"]
[null,null,"Locazione",null,"FLFBC"]
[null,null,"Collocazione",null,"P 162 (05)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910789100603321"]
[null,null,"Autore",null,"Letellier Robert Ignatius"]
[null,null,"Titolo",null,"Opera-comique [[electronic resource] ] : a sourcebook / / Robert Ignatius Letellier"]
[null,null,"Pubbl/distr/stampa",null,"Newcastle-upon-Tyne, : Cambridge Scholars, 2010"]
[null,null,"ISBN",null,"1-282-77640-1"]
[{"$nulls":4},"9786612776403"]
[{"$nulls":4},"1-4438-2168-3"]
[null,null,"Descrizione fisica",null,"1 online resource (881 p.)"]
[null,null,"Disciplina",null,"782.1"]
[null,null,"Soggetti",null,"Opéra comique"]
[{"$nulls":4},"Opera - France"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. xxii-xxiii) and indexes."]
[null,null,"Nota di contenuto",null,"TABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; A CHRONOLOGY OF THE OPÉRA-COMIQUE; COMPOSERS AND THEIR WORKS AT THE OPÉRA-COMIQUE; INDEX"]
[null,null,null,"Sommario/riassunto","Opéra-comique, like grand opéra, a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris from the late 17th until the mid-18th centuries. Opéra-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. It emerged out of the popular entertainments, called opéras-comiques en..."]