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[null,"1.","Record Nr.",null,"UNISA990000652490203316"]
[null,null,"Autore",null,"EUSEBIUS : , Caesariensis"]
[null,null,"Titolo",null,"Thesaurus temporum, Evsebii Pamphili Caesareae Palaestinae episcopi, Chronicorum canonum omnimodae historiae libri duo, interprete Hieronymo: ex fide vetustissimorum codicum castigati. Item auctores omnes derelicta ab Eusebio & Hieronymo continuantes. Eiusdem Eusebii utriusque partis Chronicorum canonum reliquiae graecae quae colligi potuerunt. Opera ac studio Josephi Justi Scaligeri ... Editio altera; in qua ejusdem Josephi Scaligeri tertia fere parte auctiores notae & castigationes in latinam Hieronymi interpretationem & graeca Eusebii, suprema autoris cura emendatae. Ejusdem Josephi Scaligeri Isagogicorum chronologiae canonum libri tres ad Eusebii Chronica & doctrinam de temporibus admodum necesarii: cvm duobus indicibus rerum & autorum"]
[null,null,"Pubbl/distr/stampa",null,"Amstelodami, : apud Joannem Janssonium, 1658"]
[null,null,"Descrizione fisica",null,"5 pt. in 2 v. ; 36 cm"]
[null,null,"Collocazione",null,"FV C 7 4 1"]
[null,null,"Lingua di pubblicazione",null,"Latino"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Colophon (at end of each vol.): Lugduni Batavorum, typis Nicolai Herculis, sumptibus Joannis Janssoni, bibliopolae Amstelodamensis, 1658"]
[null,"2.","Record Nr.",null,"UNINA9910788481003321"]
[null,null,"Autore",null,"Butz Patricia A"]
[null,null,"Titolo",null,"The art of the Hekatompedon inscription and the birth of the stoikhedon style [[electronic resource] /] / by Patricia A. Butz"]
[null,null,"Pubbl/distr/stampa",null,"Leiden ; ; Boston, : Brill, 2010"]
[null,null,"ISBN",null,"1-283-03909-5"]
[{"$nulls":4},"9786613039095"]
[{"$nulls":4},"90-04-19327-8"]
[{"$nulls":4},"90-04-18308-6"]
[null,null,"Descrizione fisica",null,"1 online resource (200 p.)"]
[null,null,"Collana",null,"Monumenta Graeca et Romana ; ; v. 16"]
[null,null,"Disciplina",null,"729/.509385"]
[null,null,"Soggetti",null,"Architectural inscriptions - Greece - Athens"]
[{"$nulls":4},"Decoration and ornament, Architectural - Greece - Athens"]
[{"$nulls":4},"Stoichedon inscriptions"]
[{"$nulls":4},"Greek language - Alphabet"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Based the author's thesis (doctoral--University of Southern California, Los Angeles, 1995) under the title: The 'Hekatompedon Inscription' at Athens."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"Preliminary Material / P.A. Butz -- Chapter One. The Alphabet Of The Hekatompedon Inscription / P.A. Butz -- Chapter Two. The Stoikhedon Arrangement Of The Hekatompedon Inscription / P.A. Butz -- Chapter Three. Punctuation And The Hekatompedon Inscription As Sacred Law / P.A. Butz -- Chapter Four. The Hekatompedon Inscription And The Origins Of The Stoikhedon Style / P.A. Butz -- Chapter Five. The Hekatompedon Inscription And The Definition Of The Stoikhedon Style / P.A. Butz -- Chapter Six. The Hekatompedon Inscription As Monument And Masterpiece / P.A. Butz -- Appendix One. Catalogue Of Fragments For Metope A Of The Hekatompedon Inscription / P.A. Butz -- Appendix Two. Restored Text For Metope A Of The Hekatompedon Inscription / P.A. Butz -- Appendix Three. Restored Text For Metope B Of The Hekatompedon Inscription / P.A. Butz -- Epigraphical Index / P.A. Butz -- General Index / P.A. Butz."]
[null,null,null,"Sommario/riassunto","The purpose of this book is to present the Hekatompedon Inscription at Athens ( IG I³ 4) as a major monument of Greek art, legitimately on a par with more famous landmarks of the Greek aesthetic tradition like the Parthenon Frieze. Inscribed most probably in the middle of the "]
[{"$nulls":4},"decade that saw the Greek response to the Persian invasion, the Hekatompedon Inscription has long been recognized for its historical and religious importance. This study looks at the inscription on its own terms: the unique fusion of its visual and textual content in that most Greek of epigraphical layouts, the stoikhedon style. Such an approach leads to the question of origins: where and why was the stoikhedon style formulated and where does the Hekatompedon Inscription stand in that development? Egypt’s influential system of proportions and use of grids will be considered determinative for the very first time."]
[null,"3.","Record Nr.",null,"UNINA9910793621803321"]
[null,null,"Autore",null,"Danius Sara"]
[null,null,"Titolo",null,"The senses of modernism : technology, perception, and aesthetics / / Sara Danius"]
[null,null,"Pubbl/distr/stampa",null,"Ithaca, New York ; ; London : , : Cornell University Press, , [2002]"]
[{"$nulls":4},"©2002"]
[null,null,"ISBN",null,"1-5017-2116-X"]
[null,null,"Descrizione fisica",null,"1 online resource (xi, 247 pages) : illustrations"]
[null,null,"Disciplina",null,"809.9112"]
[null,null,"Soggetti",null,"Modernism (Literature)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- Introduction: Orpheus and the Machine -- 1. The Antitechnological Bias and Other Modernist Myths: Literature and the Question of Technology -- 2. Novel Visions and the Crisis of Culture: The Cultivation of the Interior in The Magic Mountain -- 3. The Education of the Senses: Remembrance of Things Past and the Modernist Rhetoric of Motion -- 4. The Aesthetics of Immediacy: Ulysses and The Autonomy of the Eye and the Ear -- Coda: The Legibility of the Modern World -- Notes -- Index"]
[null,null,null,"Sommario/riassunto","In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction. In her discussion of the years from 1880 to 1930, Danius proposes that the high-modernist aesthetic is inseparable from a technologically mediated crisis of the senses. She reveals the ways in which categories of perceiving and knowing are realigned when technological devices are capable of reproducing sense data. Sparked by innovations such as chronophotography, phonography, radiography, cinematography, and technologies of speed, this sudden shift in perceptual abilities had an effect on all arts of the time.Danius explores how perception, notably sight and hearing, is staged in the three most significant modern novels in German, French, and British literature. The Senses of Modernism connects "]
[{"$nulls":4},"technological change and formal innovation to transform the study of modernist aesthetics. Danius questions the longstanding acceptance of a binary relationship between high and low culture and describes the complicated relationship between modernism and technology, challenging the conceptual divide between a technological culture and a more properly aesthetic one."]