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[null,"1.","Record Nr.",null,"UNINA9910788457403321"]
[null,null,"Autore",null,"Irwin John T"]
[null,null,"Titolo",null,"Hart Crane's poetry : \"Appollinaire lived in Paris, I live in Cleveland, Ohio\" / / John T. Irwin"]
[null,null,"Pubbl/distr/stampa",null,"Baltimore : , : Johns Hopkins University Press, , 2011"]
[null,null,"ISBN",null,"1-4214-0360-9"]
[null,null,"Descrizione fisica",null,"1 online resource (439 p.)"]
[null,null,"Disciplina",null,"811/.52"]
[null,null,"Soggetti",null,"American poetry - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Machine generated contents note: pt. One The Bridge -- ℗ʹ 1 The Pictorial and the Poetic; The Bridge as a Prophetic Vision of Origins -- ℗ʹ 2 The Visual Structure of Prophetic Vision; a Simultaneous Glimpse Before and Behind -- ℗ʹ 3 Spengler's Reading of Perspective as a Culture-Symbol -- ℗ʹ 4 The Bridge and the Paintings in the Sistine Chapel; Moses and Jesus: Columbus and Whitman; Joseph Stella; El Greco's Agony in the Garden; the Grail; Dionysus and Jesus -- ℗ʹ 5 Counterpoint in The Bridge -- ℗ʹ 6 Foreshadowing and Lateral Foreshadowing; the Grail Quest; Eliot's The Waste Land -- ℗ʹ 7 The Return to Origin; the Total Return to the Womb; the Primal Scene; Vision and Invisibility; the Dual Identification -- ℗ʹ 8 The Reversal of the Figures of Father and Mother in \"Indiana\"; Crane's Dream of the Black Man by the River; Crane's Quarrel with His Father; the Composition of \"Black Tambourine\" -- ℗ʹ 9 Crane's Dream of His Mother's Trunk in the Attic -- ℗ʹ 10 Fantasies of Return to the Womb and the Primal Scene; Three Dimensions Reduced to Two as a Sign of Body Transcendence; the Triple Archetype; Goethe's Faust; Plato's Cave Allegory as a Sublimated Womb Fantasy; Helen as Mother; the Influence of Williams and Nietzsche; Demeter, Kore, and the Amerindian Corn [ect.] -- ℗ʹ 11 Building the Virgin; Crane's \"To Liberty\"; Lazarus's \"The New Colossus\"; Helen and Psyche; Astraea and the Constellation Virgo; Demeter and Kore; the Virgin Mary and Queen Elizabeth I -- ℗ʹ 12 The Education of Henry Adams; Arnold's \"Stanzas from the Grande Chartreuse\"; Wandering between Two Worlds; Seneca's Medea; Whitman and the Rebound Seed -- ℗ʹ 13 \"Three Songs\"; Golden Hair; \"Quaker Hill\" and the Motherly Artist; the Return of the Golden Age; Astraea and Atlantis -- ℗ʹ 14 Epic Predecessors: Aeneas and Dido; Survival through "]
[{"$nulls":4},"a Part-Object; Stellar Translation and the Golden-Haired Grain -- ℗ʹ 15 The Historical Pocahontas and the Mythical Quetzalcoatl; Prescott, Spence, and D. H. Lawrence as Influences on The Bridge, Waldo Frank's Our America and the Image of Submergence -- ℗ʹ 16 Nietzsche and the Return of the Old Gods; Zarathustra and Quetzalcoatl; the Eagle and the Serpent; the Dance -- ℗ʹ 17 The Aeneid, Book 6, and \"The Tunnel\"; \"Cutty Sark\" and Glaucus in Ovid; Burns's \"Tam of Shanter\"; Glaucus in Keats's Endymion -- ℗ʹ 18 Time and Eternity in \"Cutty Sark\"; Stamboul Rose, Atlantis Rose, and Dante's Rose; Moby-Dick and \"Cutty Sark\" -- ℗ʹ 19 The Historical Cutty Sark; Hero and Leander; Jason and the Argo; Dante and the Argo -- ℗ʹ 20 Constellations and The Bridge -- ℗ʹ 21 Constellations Continued; Panis Angelicus -- ℗ʹ 22 Time and Eternity; Temporal Narrative and Spatial Configuration; the Bridge as Memory Place; \"Atlantis\"; One Arc Synoptic of All Times -- ℗ʹ 23 \"Atlantis\" and the Image of Flight; Shelley's \"To a Skylark\"; Pater and the Tears of Dionysus -- ℗ʹ 24 Love and Light; Love-as-Bridgeship; Pater and Botticelli's Venus; Venus and the Rainbow; Foam-Born; Pyramids and Fire; From Ritual to Romance, Venus and Adonis -- ℗ʹ 25 Three Structures; the Visualization of the Womb Fantasy in The Last Judgement; the Transumptive Relationship -- ℗ʹ 26 Michelangelo's Self-Portrait; Marsyas and the Suffering Artist -- pt. Two White Buildings and \"The Broken Tower\" -- ℗ʹ 1 \"Legend,\" \"Black Tambourine,\" \"Emblems of Conduct,\" \"My Grandmother's Love Letters,\" \"Sunday Morning Apples\" -- ℗ʹ 2 \"Praise for an Urn,\" \"Garden Abstract,\" \"Stark Major,\" \"Chaplinesque\" -- ℗ʹ 3 \"Pastorale,\" \"In Shadow,\" \"The Fernery,\" \"North Labrador\" -- ℗ʹ 4 \"Repose of Rivers,\" \"Paraphrase,\" \"Possessions\" -- ℗ʹ 5 \"Lachrymae Christi\" -- ℗ʹ 6 \"Passage\" -- ℗ʹ 7 \"The Wine Menagerie,\" \"Recitative\" -- ℗ʹ 8 \"For the Marriage of Faustus and Helen\" -- ℗ʹ 9 \"At Melville's Tomb,\" \"Voyages I, II, III\" -- ℗ʹ 10 \"Voyages IV, V, VI\" -- ℗ʹ 11 \"The Broken Tower\"."]