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[null,"1.","Record Nr.",null,"UNINA9910788426703321"]
[null,null,"Autore",null,"Kligerman Eric"]
[null,null,"Titolo",null,"Sites of the uncanny [[electronic resource] ] : Paul Celan, specularity and the visual arts / / Eric Kligerman"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; New York, : Walter de Gruyter, c2007"]
[null,null,"ISBN",null,"3-11-091393-3"]
[null,null,"Descrizione fisica",null,"1 online resource (344 p.)"]
[null,null,"Collana",null,"Interdisciplinary German cultural studies ; ; v. 3"]
[null,null,"Classificazione",null,"GN 3728"]
[null,null,"Disciplina",null,"831.914"]
[null,null,"Soggetti",null,"Popular culture - Germany"]
[{"$nulls":4},"Holocaust, Jewish (1939-1945), and the arts"]
[{"$nulls":4},"Collective memory - Germany"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [313]-325) and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Table of Contents -- Acknowledgments -- List of Illustrations -- Introduction: Facing the Holocaust -- Chapter 1. Specular Disruptions-The Sublime, the Uncanny, and Empathic Identification -- Chapter 2. Catastrophe and the Uncanny in Heidegger's Fetishized Narrative -- Chapter 3. Broken Meridians-From Heidegger's Pathway to Celan's Judengasse -- Chapter 4. Celan's Cinematic: Anxiety of the Gaze in Nuit et Brouillard and \"Engführung\" -- Chapter 5. Re-Figuring Celan in the Paintings of Anselm Kiefer -- Chapter 6. Ghostly Demarcations-Translating Paul Celan's Poetics in Daniel Libeskind's Architectural Space -- Conclusion. Mnemosyne and the Ruins of History -- Bibliography -- Index of Names"]
[null,null,null,"Sommario/riassunto","Sites of the Uncanny: Paul Celan, Specularity and the Visual Arts is the first book-length study that examines Celan's impact on visual culture. Exploring poetry's relation to film, painting and architecture, this study tracks the transformation of Celan in postwar German culture and shows the extent to which his poetics accompany the country's memory politics after the Holocaust. The book posits a new theoretical model of the Holocaustal uncanny - evolving out of a crossing between Celan, Freud, Heidegger and Levinas - that provides a map for entering other modes of Holocaust representations. After probing Celan's critique of the uncanny in Heidegger, this study shifts to the translation of Celan's uncanny poetics in Resnais' film Night and Fog, Kiefer's art and Libeskind's architecture."]