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[null,"1.","Record Nr.",null,"UNINA9910788354103321"]
[null,null,"Autore",null,"Song Hoon"]
[null,null,"Titolo",null,"Pigeon trouble : bestiary biopolitics in a deindustrialized America / / Hoon Song"]
[null,null,"Pubbl/distr/stampa",null,"Philadelphia, : University of Pennsylvania Press, c2010"]
[null,null,"ISBN",null,"0-8122-2270-9"]
[{"$nulls":4},"1-283-89103-4"]
[{"$nulls":4},"0-8122-0009-8"]
[null,null,"Descrizione fisica",null,"1 online resource (269 pages)"]
[null,null,"Classificazione",null,"CC 7266"]
[null,null,"Disciplina",null,"179/.3"]
[null,null,"Soggetti",null,"Animal rights activists - Pennsylvania"]
[{"$nulls":4},"Pigeon shooting - Moral and ethical aspects - Pennsylvania"]
[{"$nulls":4},"Pigeon shooting - Political aspects - Pennsylvania"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Introduction -- Chapter One. Cruelty through Glassy Eyes -- Chapter Two. Gloved Love -- Chapter Three. Hooliganism -- Chapter Four. Pests and Outcasts -- Chapter Five. Mimesis and Conspiracy Theory -- Chapter Six. Representationalism's Animal Other -- Chapter Seven. The Line of Flight, Out of Bird Phobia -- Conclusion. Self-Reflexivity and Finite Thinking -- Notes -- References -- Index -- Acknowledgments"]
[null,null,null,"Sommario/riassunto","Pigeon Trouble chronicles a foreign-born, birdphobic anthropologist's venture into the occult craft of pigeon shooting in the depths of Pennsylvania's anthracite coal country. Though initially drawn by a widely publicized antipigeon shoot protest by animal rights activists, the author quickly finds himself traversing into a territory much stranger than clashing worldviews-an uncanny world saturated with pigeon matters, both figuratively and literally. What transpires is a sustained meditation on self-reflexivity as the author teeters at the limit of his investigation-his own fear of birds. The result is an intimate portrayal of the miners' world of conspiracy theory, anti-Semitism, and whiteness, all inscribed one way or another by pigeon matters, and seen through the anguished eyes of a birdphobe. This bestiary experiment through a phobic gaze concludes with a critique on the visual trope in anthropology's self-reflexive turn. An ethnographer with a taste for philosophy, Song writes in a distinctive descriptive and "]
[{"$nulls":4},"analytical style, obsessed with his locale and its inhabitants, constantly monitoring his own reactions and his impact on others, but always teasing out larger implications to his subject."]