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[null,"1.","Record Nr.",null,"UNINA9910788209903321"]
[null,null,"Autore",null,"El-Ariss Tarek"]
[null,null,"Titolo",null,"Trials of Arab modernity [[electronic resource] ] : literary affects and the new political / / Tarek El-Ariss"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Fordham University Press, 2013"]
[null,null,"ISBN",null,"0-8232-5235-3"]
[{"$nulls":4},"0-8232-5236-1"]
[{"$nulls":4},"0-8232-5280-9"]
[{"$nulls":4},"0-8232-5173-X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (248 p.)"]
[null,null,"Disciplina",null,"892.7/09006"]
[null,null,"Soggetti",null,"Arabic literature - 20th century - History and criticism"]
[{"$nulls":4},"Arabic literature - 21st century - History and criticism"]
[{"$nulls":4},"Literature, Experimental - Arab countries - History and criticism"]
[{"$nulls":4},"Modernism (Literature) - Arab countries"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Acknowledgments -- Note on Translation and Transliteration -- 1. Introduction -- 2. Fantasy of the Imam -- 3. Aversion to Civilization -- 4. Staging the Colonial Encounter -- 5. Majnun Strikes Back -- 6. Hacking the Modern -- 7. Conclusion -- Notes -- Glossary -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Challenging prevalent conceptualizations of modernity—which treat it either as a Western ideology imposed by colonialism or as a universal narrative of progress and innovation—this study instead offers close readings of the simultaneous performances and contestations of modernity staged in works by authors such as Rifa’a al-Tahtawi, Ahmad Faris al-Shidyaq, Tayeb Salih, Hanan al-Shaykh, Hamdi Abu Golayyel, and Ahmad Alaidy. In dialogue with affect theory, deconstruction, and psychoanalysis, the book reveals these trials to be a violent and ongoing confrontation with and within modernity. In pointed and witty prose, El-Ariss bridges the gap between Nahda (the so-called Arab project of Enlightenment) and postcolonial and postmodern fiction."]