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[null,"1.","Record Nr.",null,"UNINA9910788144103321"]
[null,null,"Autore",null,"Field Amanda J."]
[null,null,"Titolo",null,"Next Train's Gone! : Will Hay : an alternative view of British National identity"]
[null,null,"Pubbl/distr/stampa",null,"Gosport, [England] : , : Chaplin Books, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"Descrizione fisica",null,"1 online resource (29 p.)"]
[null,null,"Collana",null,"Short Takes Film Studies Series ; ; Book 2"]
[null,null,"Disciplina",null,"791.430232"]
[null,null,"Soggetti",null,"Motion pictures - Production and direction"]
[{"$nulls":4},"Cinematography"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[{"$nulls":4},"Includes filmography."]
[null,null,"Nota di contenuto",null,"Cover; Contents; Front Matter; Title Page; Publisher Information; Next Train's Gone!; Will Hay: An Alternative View of British National Identity; Additional Media; Illustrations; Back Matter; Bibliography; Filmography; Also Available"]
[null,null,null,"Sommario/riassunto","In the 1930s, British film producers and critics championed the idea of 'quality' pictures - thoughtful, intelligent films that would project a particular and positive view of Britain. The result was to drive a wedge between 'national' cinema (which reflected middle-class values) and 'popular' cinema (which reflected the working-class values of the majority of cinema audiences). 'Popular' became a term of abuse, particularly directed at comedies, whose roots often lay in music-hall. A very d..."]