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[null,"1.","Record Nr.",null,"UNINA9910593796903321"]
[null,null,"Autore",null,"De Ioanna, Paolo"]
[null,null,"Titolo",null,"La questione del controllo strategico tra indirizzo politico e gestione amministrativa : una prima verifica / Paolo de Ioanna"]
[null,null,"Pubbl/distr/stampa",null,"[s.i.], : [s.i.], 2002"]
[null,null,"Descrizione fisica",null,"71-87 pp. ; 23 cm"]
[null,null,"Locazione",null,"FSPBC"]
[null,null,"Collocazione",null,"FONDO SENATO 215"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Sulla cop.: Estratto da: Seconda Miscellanea di Scritti. XX anniversario dell'Associazione ex dipendenti del Senato"]
[null,"2.","Record Nr.",null,"UNINA9910495812603321"]
[null,null,"Autore",null,"Altar Sylvie"]
[null,null,"Titolo",null,"Lyon dans la Seconde Guerre mondiale : Villes et métropoles à l'épreuve du conflit / Laurent Douzou, Isabelle Von Bueltzingsloewen, Hervé Joly, Jean-Dominique Durand, Jean Solchany"]
[null,null,"Pubbl/distr/stampa",null,"Rennes, : Presses universitaires de Rennes, 2017"]
[null,null,"ISBN",null,"2-7535-5580-X"]
[null,null,"Descrizione fisica",null,"1 online resource (362 p.)"]
[null,null,"Soggetti",null,"Urban Studies"]
[{"$nulls":4},"History"]
[{"$nulls":4},"deuxième guerre mondiale"]
[{"$nulls":4},"Lyon"]
[{"$nulls":4},"Résistance"]
[{"$nulls":4},"Occupation"]
[{"$nulls":4},"histoire des villes"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Cet ouvrage évoque Lyon dans la guerre sous les facettes les plus diverses, pour certaines inattendues, et à différentes échelles. Il s'agit de comprendre comment la métropole et ses habitants ont fait face, se sont adaptés ou ont réagi à l'anormalité du moment et aux violences subies. Sont abordées autant la manière dont l'exceptionnel, qu'il s'agisse des persécutions antisémites ou des bombardements, frappe la population que la façon dont l'habituel – le traitement des ordures ménagères, la construction de logements, l'exploitation cinématographique, l'enseignement, etc. – continue de se déployer dans un cadre plus ou moins transformé. L'accent est mis sur la vie au quotidien des gens ordinaires, sans pour autant oublier ces hommes et ces femmes d'exception que sont les résistants, et sans oblitérer les responsabilités de certaines élites dirigeantes.  Le parti pris d'une ouverture comparative à d'autres grandes villes françaises (Marseille, Lille, Le Havre, etc.) voire étrangères (Francfort, Leipzig, etc.) permet de mieux dégager les spécificités lyonnaises, celui de ne pas s'enfermer dans la séquence 1939-1945 de mieux prendre la mesure des ruptures "]
[{"$nulls":4},"produites par la guerre et l'Occupation.  Les vingt-et-une contributions réunies ici ne prétendent pas à l'exhaustivité. Si certains thèmes sont apparus incontournables, d'autres ont été choisis parce qu'ils n'avaient jamais été abordés ou parce que des auteurs, jeunes chercheurs ou chercheurs plus confirmés, proposaient de les traiter d'une manière renouvelée."]
[null,"3.","Record Nr.",null,"UNINA9910788106803321"]
[null,null,"Autore",null,"Hill Shannen L. <1964->"]
[null,null,"Titolo",null,"The Biko's ghost : the iconography of black consciousness / / Shannen L. Hill"]
[null,null,"Pubbl/distr/stampa",null,"Minneapolis, Minnesota ; ; London, [England] : , : University of Minnesota Press, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"Descrizione fisica",null,"1 online resource (415 p.)"]
[null,null,"Classificazione",null,"ART015000HIS047000SOC031000"]
[null,null,"Disciplina",null,"704.9/49305896"]
[null,null,"Soggetti",null,"Black people in art"]
[{"$nulls":4},"Black people in popular culture - Race relations"]
[{"$nulls":4},"Art and social action - Race relations"]
[{"$nulls":4},"South Africa Race relations"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Machine generated contents note: Contents Abbreviations -- Introduction: Let's Talk about Consciousness -- 1. Shaping Modern Black Culture in the 1970's -- 2. Of Icons and Inquests: \"Steve Biko, God Be with You, BPC\" -- 3. Contemplating Death: Artists and Abjection -- 4. Creating a Culture of Resistance -- 5. Silencing the Censors: Black Consciousness between the Lines in the 1980's -- 6. Transitions and Truths in a New Democracy -- 7. Museum, Monument, Marking: Black Consciousness in the New Millennium -- Epilogue: \"After Such a Long Time His Life Is Still Dug Out\" -- Acknowledgments: I Write What I Must -- Notes -- Bibliography -- Index."]
[null,null,null,"Sommario/riassunto","\"\"When you say, 'Black is Beautiful,' what in fact you are saying. is: Man, you are okay as you are; begin to look upon yourself as a human being.\" With such statements, Stephen Biko became the voice of Black Consciousness. And with Biko's brutal death in the custody of the South African police, he became a martyr, an enduring symbol of the horrors of apartheid. Through the lens of visual culture, Biko's Ghost reveals how the man and the ideology he promoted have profoundly influenced liberation politics and race discourse--in South Africa and around the globe--ever since. Tracing the linked histories of Black Consciousness and its most famous proponent, Biko's Ghost explores the concepts of unity, ancestry, and action that lie at the heart of the ideology and the "]
[{"$nulls":4},"man. It challenges the dominant historical view of Black Consciousness as ineffectual or racially exclusive, suppressed on the one side by the apartheid regime and on the other by the African National Congress. Engaging theories of trauma and representation, and icon and ideology, Shannen L. Hill considers the martyred Biko as an embattled icon, his image portrayals assuming different shapes and political meanings in different hands. So, too, does she illuminate how Black Consciousness worked behind the scenes throughout the 1980's, a decade of heightened popular unrest and state censorship. She shows how--in streams of imagery that continue to multiply nearly forty years on--Biko's visage and the ongoing life of Black Consciousness served as instruments through which artists could combat the abuses of apartheid and unsettle the \"rainbow nation\" that followed. \"--"]