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[null,"1.","Record Nr.",null,"UNINA9910788105503321"]
[null,null,"Autore",null,"Duchhardt Heinz"]
[null,null,"Titolo",null,"Barock und Aufklärung / / von Heinz Duchhardt und Matthias Schnettger"]
[null,null,"Pubbl/distr/stampa",null,"Boston, Massachusetts ; ; Berlin, [Germany] : , : Walter de Gruyter, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"3-11-039717-X"]
[null,null,"Edizione",null,"[5. neu bearb. und erw. Aufl.]"]
[null,null,"Descrizione fisica",null,"1 online resource (319 pages)"]
[null,null,"Collana",null,"Oldenbourg Grundriss der Geschichte ; ; Band 11"]
[null,null,"Classificazione",null,"NK 1100"]
[null,null,"Disciplina",null,"355.009"]
[null,null,"Soggetti",null,"Despotism - History"]
[{"$nulls":4},"Europe Politics and government 1648-1789"]
[{"$nulls":4},"Germany Politics and government 1648-1789"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","5e opnieuw bew. en uitgebreide uitg. van: Das Zeitalter des Absolutismus. - München : Oldenbourg, 1989."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Vorwort der Herausgeber -- Inhalt -- Vorwort zur fünften Auflage -- I. Darstellung -- II. Grundprobleme und Tendenzen der Forschung -- III. Quellen und Literatur -- Zeittafel -- Register -- Oldenburg Grundriss der Geschichte"]
[null,null,null,"Sommario/riassunto","A standard work in a revised edition: Matthias Schnettger and Heinz Duckhardt have fully updated this highly praised textbook on the Enlightenment and the Baroque period. Their overview considers the latest perspectives in research, and the bibliography has been supplemented with key works published since the last edition. The volume is sure to remain an essential tool for students and teachers of modern history."]
[{"$nulls":4},"Das Standardwerk liegt in überarbeiteter Form vor: Matthias Schnettger und Heinz Duchhardt bringen den hochgelobten Oldenbourg Grundriss zu Aufklärung und Barock auf den neuesten Stand. Der Forschunsgüberblick erfasst aktuelle Strömungen und Tendenzen und die Bibliographie ist um die zentrale Literatur ergänzt, die seit der letzten Auflage erschienen ist. Der Band bleibt so ein wichtiges Hilfsmittel für alle Studierenden und Dozenten der Neueren Geschichte."]
[null,"2.","Record Nr.",null,"UNISA996582048403316"]
[null,null,"Autore",null,"Havens Timothy"]
[null,null,"Titolo",null,"Black Television Travels : African American Media around the Globe / / Timothy Havens"]
[null,null,"Pubbl/distr/stampa",null,"New York, NY : , : New York University Press, , [2013]"]
[{"$nulls":4},"©2013"]
[null,null,"ISBN",null,"0-8147-5944-0"]
[null,null,"Descrizione fisica",null,"1 online resource (228 p.)"]
[null,null,"Collana",null,"Critical Cultural Communication ; ; 16"]
[null,null,"Disciplina",null,"791.4508996073"]
[null,null,"Soggetti",null,"Foreign television programs - History and criticism"]
[{"$nulls":4},"Television programs - Social aspects - United States"]
[{"$nulls":4},"African Americans on television"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 195-207) and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Preface -- Introduction -- 1. Roots and the Perils of African American Television Drama in a Global World -- 2. Integrated Eighties Situation Comedies and the Struggle against Apartheid -- 3. The Cosby Show, Family Themes, and the Ascent of White Situation Comedies Abroad in the Late 1980s -- 4. The Fresh Prince of Bel-Air, Channel Fragmentation, and the Recognition of Difference -- 5. The Worldwide Circulation of Contemporary African American Television -- 6. Black Television from Elsewhere -- Conclusion -- Notes -- References -- Index -- About the Author"]
[null,null,null,"Sommario/riassunto","“Black Television Travels provides a detailed and insightful view of the roots and routes of the televisual representations of blackness on the transnational media landscape. By following the circulation of black cultural products and their institutionalized discourses—including industry lore, taste cultures, and the multiple stories of black experiences that have and have not made it onto the small screen—Havens complicates discussions of racial representation and exposes possibilities for more expansive representations of blackness while recognizing the limitations of the seemingly liberatory spaces created by globalization.” —Bambi Haggins, Associate Professor of Film and Media Studies at Arizona State University “A major achievement that makes important contributions to the analysis of race, identity, global "]
[{"$nulls":4},"media, nation, and television production cultures. Discussions of race and television are too often constricted within national boundaries, yet this fantastic book offers a strong, compelling, and utterly refreshing corrective. Read it, assign it, use it.” —Jonathan Gray, author of Television Entertainment, Television Studies, and Show Sold Separately Black Television Travels explores the globalization of African American television and the way in which foreign markets, programming strategies, and viewer preferences have influenced portrayals of African Americans on the small screen. Television executives have been notoriously slow to recognize the potential popularity of black characters and themes, both at home and abroad. As American television brokers increasingly seek revenues abroad, their assumptions about saleability and audience perceptions directly influence the global circulation of these programs, as well as their content. Black Television Travels aims to reclaim the history of African American television circulation in an effort to correct and counteract this predominant industry lore.Based on interviews with television executives and programmers from around the world, as well as producers in the United States, Havens traces the shift from an era when national television networks often blocked African American television from traveling abroad to the transnational, post-network era of today. While globalization has helped to expand diversity in African American television, particularly in regard to genre, it has also resulted in restrictions, such as in the limited portrayal of African American women in favor of attracting young male demographics across racial and national boundaries. Havens underscores the importance of examining boardroom politics as part of racial discourse in the late modern era, when transnational cultural industries like television are the primary sources for dominant representations of blackness."]