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[null,"1.","Record Nr.",null,"UNINA9910787530303321"]
[null,null,"Autore",null,"Mize Britt"]
[null,null,"Titolo",null,"Traditional subjectivities : the Old English poetics of mentality / / Britt Mize"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2013"]
[{"$nulls":4},"©2013"]
[null,null,"ISBN",null,"1-4426-6134-8"]
[null,null,"Descrizione fisica",null,"1 online resource (304 p.)"]
[null,null,"Collana",null,"Toronto Anglo-Saxon series ; ; 12"]
[null,null,"Disciplina",null,"829/.1009"]
[null,null,"Soggetti",null,"English poetry - Old English, ca. 450-1100 - History and criticism"]
[{"$nulls":4},"Folk poetry, English (Old) - History and criticism"]
[{"$nulls":4},"Oral tradition - England - History - To 1500"]
[{"$nulls":4},"Characters and characteristics in literature"]
[{"$nulls":4},"Subjectivity in literature"]
[{"$nulls":4},"Emotions in literature"]
[{"$nulls":4},"England"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction. The Variety and Extent of Emphasis on Mentality in Old English Poetry ; The Priority of Subjectivity over Subject in Old English Poetic Tradition ; Preliminaries to Further Analysis -- 1 The Poetics of Mentality. Genesis A's Relationship to Latin Learning and to Scripture ; Traditionalizing Scripture: Genesis A's Poetics of Mentality -- 2 Traditional Diction, Emergent Subjectivities Interpreting Traditional Diction. What We Can Learn from Genesis B ; Genesis B and the Making of Old English Verse -- 3 Traditional Subjectivities in the Political World. The Nature and Relationship of the Two Texts of the Boethius ; Metre 1's Traditional Poetics of Mentality ; Traditionalism and Interpretation -- Conclusions."]
[null,null,null,"Sommario/riassunto","Mize synthesizes two previously disconnected bodies of theory to advance our understanding of how traditional phraseology makes meaning, as well as illuminate the political and social dimensions of surviving texts, through attention to Old English poets' impulse to explore subjective perspectives."]
[null,"2.","Record Nr.",null,"UNINA9910790558403321"]
[null,null,"Autore",null,"De Wagter Caroline"]
[null,null,"Titolo",null,"\"Mouths on fire with songs\" : negotiating multi-ethnic identities on the contemporary North American stage / / Caroline De Wagter"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam : , : Rodopi, , 2013"]
[null,null,"ISBN",null,"94-012-0954-5"]
[null,null,"Descrizione fisica",null,"1 online resource (420 p.)"]
[null,null,"Collana",null,"Cross/cultures : readings in post/colonial literatures and cultures in English ; ; 163"]
[null,null,"Disciplina",null,"810.992"]
[null,null,"Soggetti",null,"Multiculturalism in literature"]
[{"$nulls":4},"Multiculturalism in the theater"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Staging Hybridity on the North American Scene -- Shattering the North American Dream: Testimonies and Experiences -- Cultural Memory in North American Drama -- Performing Imagined Communities -- Millennial Vistas -- Works Cited -- Index."]
[null,null,null,"Sommario/riassunto","This book, the first cross-cultural study of post-1970s anglophone Canadian and American multi-ethnic drama, invites assessment of the thematic and aesthetic contributions of this theater in today’s globalized culture. A growing number of playwrights of African, South and East Asian, and First Nations heritage have engaged with manifold socio-political and aesthetic issues in experimental works combining formal features of more classical European dramatic traditions with such elements of ethnic culture as ancestral music and dance, to interrogate the very concepts of theatricality and canonicity. Their “mouths on fire” (August Wilson), these playwrights contest stereotyped notions of authenticity. In¬spired by songs of anger, passion, experience, survival, and regeneration, the plays analyzed bespeak a burning desire to break the silence, to heal and empower. Foregrounding questions of hybridity, diaspora, cultural memory, and nation, this comparative study includes discussion of some twenty-five case studies of plays by such authors as M.J. Kang, August Wilson, Suzan–Lori Parks, Djanet Sears, Chay Yew, Padma Viswanathan, Rana Bose, Diane Glancy, and Drew Hayden Taylor. Through its cross-cultural and cross-national prism, “Mouths on Fire with Songs” shows that multi-ethnic drama is one of the most diverse and dynamic sites of cultural production in North America today."]