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[null,"1.","Record Nr.",null,"UNINA9910787087403321"]
[null,null,"Titolo",null,"The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / / edited by Malte Hagener"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Berghahn, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"1-78533-354-2"]
[{"$nulls":4},"1-78238-424-3"]
[null,null,"Descrizione fisica",null,"1 online resource (390 p.)"]
[null,null,"Collana",null,"Film Europa: German Cinema in an International Context"]
[null,null,"Classificazione",null,"AP 44906"]
[null,null,"Disciplina",null,"791.43/61109409041"]
[null,null,"Soggetti",null,"Experimental films - Europe - History and criticism"]
[{"$nulls":4},"Motion pictures - Europe - History - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Title page; Copyright; Contents; Figures; Acknowledgements; Introduction; Part I  Formations of Knowledge ; Chapter 1 Policing Race: ; Chapter 2 The Visible Woman in and against Béla Balázs ; Chapter 3 Encounters in Darkened Rooms ; Chapter 4 When Was Soviet Cinema Born? The Institutionalization of Soviet Film Studies and the Problems of Periodization; Part II  Networks of Exchange ; Chapter 5 Eastern Avatars ; Chapter 6 Early Yugoslav Ciné-amateurism ; Chapter 7 Soviet-Italian Cinematic Exchanges ; Chapter 8 The Avant-Garde, Education and Marketing ; Part III  Emergence of Institutions"]
[{"$nulls":4},"Chapter 9 Interwar Film Culture in Sweden Chapter 10 Building the Institution ; Chapter 11 A New Art for a New Society? The Emergence and Development of Film Schools in Europe ; Chapter 12 Institutions of Film Culture ; Chapter 13 The German Reich Film Archive in an International Context ; Notes on Contributors ; Select Bibliography ; Index"]
[null,null,null,"Sommario/riassunto","Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form "]
[{"$nulls":4},"of social expression, as an art form, and as a political force to be reckoned with. By examining the extra"]