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[null,"1.","Record Nr.",null,"UNISA996389523103316"]
[null,null,"Titolo",null,"The power and pleasure of love [[electronic resource] ] : Is here describ'd an antidote of joy, against all grief, which doth the heart annoy; for the greatest monarch, clown and fool, loves power doth conqer, and keep all in rule: and those who love, and kind and constant be, live in a continued extasie; but those who do in sorrows constant dwell, were ne'r in love, and can't its pleasure tell.  To a new play-house tune, or, All joy to fair psyche, &c.  With allowance"]
[null,null,"Pubbl/distr/stampa",null,"[London], : Printed for F. Coles, T. Vere, I. Wright, and I. Clarke, [between 1674 and 1679]"]
[null,null,"Descrizione fisica",null,"1 sheet ([1] p.) : ill"]
[null,null,"Soggetti",null,"Ballads, English - 17th century"]
[{"$nulls":4},"Broadsides17th century.England"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Caption title."]
[{"$nulls":4},"Imprint from colophon."]
[{"$nulls":4},"Place and date range of publication suggested by Wing (2nd ed.)."]
[{"$nulls":4},"Imperfect: broadside has faded print."]
[{"$nulls":4},"Verses in black letter, chorus lines in Roman."]
[{"$nulls":4},"Reproduction of original in: Bodleian Library."]
[null,null,null,"Sommario/riassunto","eebo-0014"]
[null,"2.","Record Nr.",null,"UNINA9910786903503321"]
[null,null,"Autore",null,"Chambers Eddie"]
[null,null,"Titolo",null,"Black Artists in British Art : A History since the 1950s"]
[null,null,"Pubbl/distr/stampa",null,"London, England : , : I.B. Tauris, , 2019"]
[{"$nulls":4},"[London, England] : , : Bloomsbury Publishing, , 2019"]
[null,null,"ISBN",null,"0-7556-0334-6"]
[{"$nulls":4},"0-85772-409-6"]
[{"$nulls":4},"0-85773-608-6"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (426 p.)"]
[null,null,"Collana",null,"International library of visual culture ; ; 10"]
[null,null,"Disciplina",null,"704.03/96041"]
[null,null,"Soggetti",null,"Artists, Black - Great Britain - History - 20th century"]
[{"$nulls":4},"Artists, Black - Great Britain - History - 21st century"]
[{"$nulls":4},"Black art - Great Britain - 20th century - History"]
[{"$nulls":4},"Black art - Great Britain - 21st century - History"]
[{"$nulls":4},"Black people in art"]
[{"$nulls":4},"British art - 20th century - History"]
[{"$nulls":4},"British art - 21st century - History"]
[{"$nulls":4},"History of art & design styles: from c 1900 -"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 240-264) and index."]
[null,null,"Nota di contenuto",null,"Introduction: some problems with history and its treatment of black-British artists -- The pioneering generation of Caribbean artists -- Early contributions by South Asian artists -- The significance of the 1970s -- Uzo Egonu and contemporary African art in Britain -- The earliest black-British practitioners -- South Asian stories -- The 'black art' generation and the 1980s -- The rise and fall of the Black-Art Gallery -- The emergence of black women artists: arguments and opinions -- Sonia Boyce and other black women artists -- Substantial sculpture: the work of Sokari Douglas Camp, Veronica Ryan, and Permindar Kaur -- Black artists of the 1990s generation -- The triumphant triumvirate: Yinka Shonibare, Chris Ofili, and Steve McQueen -- The new generation."]
[null,null,null,"Sommario/riassunto","Black artists have been making major contributions to the British art scene for decades, since at least the middle of the twentieth century. Sometimes, these artists - with backgrounds in the countries of Africa, the Caribbean and South Asia - were regarded and embraced as British "]
[{"$nulls":4},"pratictioners of note and merit. At other times, particularly during the 1970s and 1980s, they were not. In response, on occasion, Britain's black artists came together and made their own exhibitions or created their own gallery spaces. In this book, Eddie Chambers tells the story of Britain's black artists, from the 1950s onwards, including the contemporary art of Steve McQueen, Chris Ofili and Yinka Shonibare.--Publisher."]