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[null,"1.","Record Nr.",null,"UNINA9910786782803321"]
[null,null,"Titolo",null,"Analyzing the music of living composers (and others) / / edited by Jack Boss [and three others]"]
[null,null,"Pubbl/distr/stampa",null,"Newcastle upon Tyne, United Kingdom : , : Cambridge Scholars, , 2013"]
[null,null,"ISBN",null,"1-4438-6471-4"]
[null,null,"Descrizione fisica",null,"1 online resource (290 p.)"]
[null,null,"Disciplina",null,"780.9"]
[null,null,"Soggetti",null,"Musical analysis - History - 20th century"]
[{"$nulls":4},"Musical analysis - History - 21st century"]
[{"$nulls":4},"Music - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Edited by: Jack Boss, Brad Osborn, Tim S. Pack and Stephen Rodgers."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"TABLE OF CONTENTS; PREFACE; PART I: PROCESS IN THE MUSIC OF LIVING COMPOSERS; INTRODUCTION TO PART I; CHAPTER ONE - MAKING THE MOST OF MINIMALISM; CHAPTER TWO - COHERENCE AND COMPREHENSIBILITY IN JOAN TOWER'S PURPLE RHAPSODY; CHAPTER THREE - GAMES, SIMPLICITY, AND TREES; CHAPTER FOUR - AN INTRODUCTION TO THE MUSIC OF WILLEM CEULEERS; PART II: THE TONAL TRADITION; INTRODUCTION TO PART II; CHAPTER FIVE - HARMONY AND THE MYTH OF NARCISSUS IN SCHUBERT'S \"\"DU LIEBST MICH NICHT\"\"; CHAPTER SIX - MAHLER'S MUSICAL IDEA; CHAPTER SEVEN - DEBUSSY'S UNTERBRECHUNG; PART III: POP MUSIC AND BEYOND"]
[{"$nulls":4},"INTRODUCTION TO PART III CHAPTER EIGHT - WHEN POP STARS COLLIDE; CHAPTER NINE - GROOVE TOPICS IN IMPROVISED JAZZ; CHAPTER TEN - THE MUSIC OF MARIO, LINK, AND SAMUS; CHAPTER ELEVEN - HEARING HEIMA; PART IV: MUSICAL GEOMETRY AND TEMPORAL STRUCTURING; INTRODUCTION TO PART IV; CHAPTER TWELVE - SERIAL N-CUBES; CHAPTER THIRTEEN - TEMPORAL STRUCTURING IN COLIN MATTHEWS'S ELEVEN STUDIES [INVENTIONS] IN VELOCITY; CONTRIBUTORS"]
[null,null,null,"Sommario/riassunto","Analyzing the Music of Living Composers (and Others) is a collection of essays that grew out of the 2010 annual meeting of the West Coast Conference of Music Theory and Analysis. The stated purpose was to apply traditional music-analytic techniques, as well as new, innovative techniques, to describing the music of composers of the late 20th and "]
[{"$nulls":4},"early 21st centuries. The goal was to take steps toward making the music of our time a bit less impenetrable for our colleagues, students and other li..."]