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[null,"1.","Record Nr.",null,"UNINA9910786754803321"]
[null,null,"Autore",null,"Waldron Dara"]
[null,null,"Titolo",null,"Cinema and evil : moral complexities and the \"dangerous\" film / / by Dara Waldron"]
[null,null,"Pubbl/distr/stampa",null,"Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013"]
[{"$nulls":4},"©2013"]
[null,null,"ISBN",null,"1-4438-6558-3"]
[null,null,"Descrizione fisica",null,"1 online resource (229 p.)"]
[null,null,"Disciplina",null,"791.43653"]
[null,null,"Soggetti",null,"Evil in motion pictures"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references, filmography."]
[null,null,"Nota di contenuto",null,"TABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE - 'TRYING TO SEE DARKNESS'; Augustine and Theology; Responsibility; The Cathars; Paradise Lost; The Language of 'Sin'; Milton and Augustine; Kant and the Moral Law; Immoral Action; The Act of Evil; Interlude on Good and Evil; Lacan and Evil; In Finale: Kant avec Bataille; CHAPTER TWO - THE 'DISCOURSE ON EVIL' IN FRITZ LANG''S M (1931) AND ORSON WELLES''S TOUCH OF EVIL (1958); Introduction; M and Evil; Confessions; Welles and the Law; Welles and the Noir Landscape; Nothing but Desire; Conclusion: Desire and Evil"]
[{"$nulls":4},"CHAPTER THREE - PASOLINI AND THE REMNANTS OF NEOREALISMThe Remnants of Neo-Realism; The Beatific Vision and Pasolini's 'Nightmare'; The Messianic Intruder; Saló and the Ethical Test; Conclusion: 'Til Death Do Us Part; CHAPTER FOUR - 'STRIKE DEAR MISTRESS AND CURE HIS HEART''; Introduction; Masochism and the Law; Christology and Moral Crisis; Conclusion: The Fascist Within; Epilogue: Cavani and Evil; CHAPTER FIVE - 'BARBARISM BEGINS AT HOME'; The Evil That Young Men Do; Mea Culpa (and I Don't Care)/ or: Haneke's Cosmology; Haneke the Augustinian; CHAPTER SIX - DOLI INCAPAX?"]
[{"$nulls":4},"Friends and EnemiesEyes Wide Shut?; CHAPTER SEVEN - SEEING AND FAILING TO SEE AGAIN; After Saló; Banal or Radical Evil?; CONCLUSION; POSTSCRIPT; BIBLIOGRAPHY; FILMOGRAPHY"]
[null,null,null,"Sommario/riassunto","Malevolence (and its causes) has been central to film since its inception; the birth of film coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil, however, are less frequent and fewer in quantity; especially films which "]
[{"$nulls":4},"respond to a body of thought - philosophical or theological - which has deliberated on the topic of evil over the centuries. Cinema and Evil: Moral Responsibility and the \"\"Dangerous\"\" Film addresses these films. It explor..."]