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[null,"1.","Record Nr.",null,"UNINA9910786727703321"]
[null,null,"Autore",null,"Trippett David <1980->"]
[null,null,"Titolo",null,"Wagner's melodies : aesthetics and materialism in German musical identity / / David Trippett [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2013"]
[null,null,"ISBN",null,"1-139-88851-X"]
[{"$nulls":4},"1-107-06496-1"]
[{"$nulls":4},"1-107-05656-X"]
[{"$nulls":4},"1-107-05445-1"]
[{"$nulls":4},"1-107-05766-3"]
[{"$nulls":4},"1-139-01370-X"]
[{"$nulls":4},"1-107-05891-0"]
[{"$nulls":4},"1-107-05547-4"]
[null,null,"Descrizione fisica",null,"1 online resource (xiv, 448 pages) : digital, PDF file(s)"]
[null,null,"Disciplina",null,"782.1092"]
[null,null,"Soggetti",null,"Music - 19th century - Philosophy and aesthetics"]
[{"$nulls":4},"Melody"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"German melody -- Melodielehre? -- Wagner in the melodic workshop -- Excursus : Bellini's Sinnlichkeit, Wagner's Italy -- Hearing voices : Wilhelmine Schroder-Devrient and the Lohengrin recitatives -- Vowels, voices, and \"original truth\" -- Wagner's material expression."]
[null,null,null,"Sommario/riassunto","Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and "]
[{"$nulls":4},"controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics."]