{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":21,"n_cols":5,"rows_kept":21,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[12,2,12,3],[13,2,13,3],[17,2,17,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910786183103321"]
[null,null,"Titolo",null,"Othello [[electronic resource] ] : new critical essays / / edited by Philip C. Kolin"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Routledge, 2002"]
[null,null,"ISBN",null,"1-136-53631-0"]
[{"$nulls":4},"0-203-05565-9"]
[{"$nulls":4},"1-283-96335-3"]
[{"$nulls":4},"1-136-53624-8"]
[null,null,"Descrizione fisica",null,"1 online resource (457 p.)"]
[null,null,"Collana",null,"Shakespeare criticism ; ; v. 28"]
[null,null,"Disciplina",null,"822.3/3"]
[null,null,"Soggetti",null,"Othello (Fictitious character)"]
[{"$nulls":4},"Tragedy"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Cover; OTHELLO; Title Page; Copyright Page; Table of Contents; Acknowledgments; General Editor's Introduction; Blackness Made Visible: A Survey of Othello in Criticism, on Stage, and on Screen; The Audience's Role in Othello; White Faces, Blackface: The Production of \"\"Race\"\" in Othello; Images of White Identity in Othello; \"\"Words and Performances\"\": Roderigo and the Mixed Dramaturgy of Race and Gender in Othello; The Curse of Cush: Othello's Judaic Ancestry; Relating Things to the State: \"\"The State\"\" and the Subject of Othello"]
[{"$nulls":4},"Venetian Ideology or Transversal Power? Iago's Motives and the Means by which Othello FallsOthello: Portrait of a Marriage; \"\"Truly, an obedient lady\"\": Desdemona, Emilia, and the Doctrine of Obedience in Othello; Morality, Ethics and the Failure of Love in Shakespeare's Othello; Keeping Faith: Water Imagery and Religious Diversity in Othello; Representing Othello: Early Modern Jury Trials and the Equitable Judgments of Tragedy; Othello Among the Sonnets; The \"\"O\"\" in Othello: Tropes of Damnation and Nothingness; Trumpeting and \"\"seeled\"\" Eyes: A Semiotics of [Eye]conography in Othello"]
[{"$nulls":4},"\"\"Work on my medicine\"\": Physiologies and Anatomies in OthelloReading Othello Backwards; The Mystery of the Early Othello Texts; \"\"My cue to fight\"\": Stage Violence in Othello; An Interview with Kent Thompson, Artistic Director of the Alabama Shakespeare Festival; Notes on the Contributors"]
[null,null,null,"Sommario/riassunto","Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies.  Othello: Critical Essays  explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more."]