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[null,"1.","Record Nr.",null,"UNINA9910786064303321"]
[null,null,"Autore",null,"Frutiger Adrian <1928->"]
[null,null,"Titolo",null,"Adrian Frutiger typefaces [[electronic resource] ] : the complete works / / Swiss Foundation Type and Typography ; edited by Heidrun Osterer and Philipp Stamm"]
[null,null,"Pubbl/distr/stampa",null,"Basel ; ; Boston, : Birkhäuser, c2009"]
[null,null,"ISBN",null,"3-0346-0990-6"]
[null,null,"Edizione",null,"[English ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (459 p.)"]
[null,null,"Disciplina",null,"686.224092"]
[null,null,"Soggetti",null,"Type and type-founding - History - 20th century"]
[{"$nulls":4},"Type and type-founding"]
[{"$nulls":4},"Graphic design (Typography)"]
[{"$nulls":4},"Typographers - Switzerland"]
[{"$nulls":4},"Type designers - Switzerland"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes two folded pages."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 424-437)."]
[null,null,"Nota di contenuto",null,"Front matter -- Content -- Adrian Frutiger - The standard-setter / Weidemann, Kurt -- A typeface is a tool / Frutiger, Adrian -- Introduction. How we made this book -- Introduction. How to use this book -- Career path. Adrian Frutiger's teachers and mentors -- Président -- Type-design project. Delta -- PHOEBUS -- Type-design project. Element-Grotesk -- Type-design project. Federduktus -- ONDINE -- MÉRIDIEN -- Caractères Lumitype -- UNIVERS -- EGYPTIENNE F -- Opéra -- Alphabet Orly -- APOLLO -- Type-design project. Alphabet Entreprise Francis Bouygues -- Concorde -- Type-design project. Serifen-Grotesk -- Alphabet Algol -- SERIFA -- OCR-B -- Univers IBM Composer -- Alphabet EDF-GDF -- Type-design project. Katalog -- Devanagari / Tamil -- Alpha BP -- Documenta -- Alphabet Facom -- Alphabet Roissy -- Alphabet Brancher -- IRIDIUM -- Alphabet Métro -- ALPHABET CENTRE POMPIDOU -- FRUTIGER -- GLYPHA -- ICONE -- BREUGHEL -- Type-design project. Dolmen -- TIEMANN -- VERSAILLES -- Linotype Centennial -- AVENIR -- WESTSIDE -- VECTORA -- LINOTYPE DIDOT -- HERCULANUM -- Shiseido -- Frutiger CAPITALI S -- Pompeijana -- RUSTICANA -- FRUTIGER STONES -- FRUTIGER NEONSCRIPT -- NAMI -- Synopsis of Frutiger-Typefaces -- Addendum"]
[null,null,null,"Sommario/riassunto","Das internationale Schriftschaffen nach 1950 wurde massgeblich "]
[{"$nulls":4},"geprägt vom Schweizer Adrian Frutiger. Sein Schriftprogramm Univers und die zum ISO-Standard erklärte maschinenlesbare Schrift OCR-B sind Meilensteine wie auch die zur Frutiger weiterentwickelte Schrift der Pariser Flughäfen - ein Qualitätsstandard für Signalisationsschriften. Mit den Corporate Types prägte er Firmenauftritte wie jenen der japanischen Kosmetiklinie Shiseido. Insgesamt entstanden rund 50 Schriften, darunter Ondine, Méridien, Avenir, Vectora.Auf Gesprächen mit Frutiger basierend sowie auf umfangreichen Recherchen in Frankreich, England, Deutschland und der Schweiz zeichnet die Publikation den gestalterischen Werdegang des Schriftkünstlers exakt nach. Erstmals werden alle Schriften - vom Entwurf bis zur Vermarktung - abgebildet sowie mit Bezug zu Technik und zu artverwandten Schriften analysiert. Bisher unveröffentlichte, nicht realisierte Schriften sowie über 100 Logos vervollständigen das Bild."]
[{"$nulls":4},"The international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and evolved into the Frutiger typeface. With his corporate types, he helped to define the public profiles of companies such as the Japanese Shiseido line of cosmetics. In all he created some fifty types, including Ondine, Méridien, Avenir, and Vectora.Based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland, this publication provides a highly detailed and accurate account of the type designer's artistic development. For the first time, all of his types - from the design phase to the marketing stage - are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture."]
[null,"2.","Record Nr.",null,"UNISA996248023103316"]
[null,null,"Autore",null,"Frierson Cathy A"]
[null,null,"Titolo",null,"Peasant icons : representations of rural people in late nineteenth century Russia / / Cathy A. Frierson"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Oxford University Press, 1993"]
[null,null,"ISBN",null,"0-19-507293-6"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 248 p. ) : ill. ;"]
[null,null,"Disciplina",null,"947.08"]
[null,null,"Soggetti",null,"Peasants - Russia - History - 19th century"]
[{"$nulls":4},"Peasants in literature"]
[{"$nulls":4},"Peasants - Russia - Public opinion"]
[{"$nulls":4},"Stereotypes (Social psychology) - Russia"]
[{"$nulls":4},"Peasants - History - 19th century - Russia"]
[{"$nulls":4},"Peasants in literature - Public opinion - Russia"]
[{"$nulls":4},"Peasants - Russia"]
[{"$nulls":4},"Stereotypes (Social psychology)"]
[{"$nulls":4},"Russia History Alexander II, 1855-1881"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 227-237) and index."]
[null,null,"Nota di contenuto",null,"The 1860's : setting the stage -- Narod : passive, benighted, and simple -- The peasant as judge -- The peasant as rational man of the land -- The communal peasant -- The gray peasant : unadorned and besieged -- Kulak : the village strongman -- Baba : the peasant woman--Virago, Eve, or victim? -- Conclusion."]
[null,null,null,"Sommario/riassunto","In the thirty years after Russian peasants were emancipated in 1861, they became a major focus of Russian intellectual life. This text is the first to examine the revealing images of the newly-freed peasant created by Russian writers, scholars, journalists, and government officials during the first three decades of the post-Emancipation period, as the identity and fate of the Russian peasant became an integral component in the future of Russian envisioned by liberal reformers and conservatives alike. Frierson introduces students to the stereotypes created by Tolstoy, Dostoevsky, and other intellectuals seeking to understand village life, from he likable Narod, the simple man of the simple foll, to the exploitative cloak, the village strongman, to the conflicting images of the Russian peasant woman, or Baba, as, "]
[{"$nulls":4},"alternately, a rural Eve, a virago, or a victim. Researching the elements of social life in rural Russia, including rural concepts of justice, the potential for exploitation in the villages, and the break-up of patriarchal households, Frierson sheds light on the fundamental concepts of the peasantry that influenced not only the way educated Russians of the late nineteenth century approached their rural compatriots, but also the filters through which students and scholars examine the rural culture of late IMperial Russia a century later."]