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[null,"1.","Record Nr.",null,"UNINA9910786048603321"]
[null,null,"Autore",null,"Sanden Paul"]
[null,null,"Titolo",null,"Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Routledge, , 2013"]
[null,null,"ISBN",null,"1-136-15528-7"]
[{"$nulls":4},"1-283-97325-1"]
[{"$nulls":4},"0-203-07851-9"]
[{"$nulls":4},"1-136-15656-9"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (221 p.)"]
[null,null,"Collana",null,"Routledge research in music"]
[{"$nulls":4},"Routledge research in music ; ; 5"]
[null,null,"Disciplina",null,"781.1/1"]
[null,null,"Soggetti",null,"Music - Performance - History"]
[{"$nulls":4},"Musical perception"]
[{"$nulls":4},"Music - Psychological aspects"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's \"Vane\" -- Performing cyborgs : the flaying of Marsyas and turntablism."]
[null,null,null,"Sommario/riassunto","This study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an ever-changing musical and technological terrain is one of the more complex and timely challenges facing scholars of current music, where liveness is typically understood to represent performance and to stand in opposition to recording, amplification, and other methods of electronically mediating music. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines. Sanden analyzes liveness in mediatized music (music for which electronic mediation plays an intrinsically defining role), exploring the role this concept plays in defining musical meaning. In discussions of music from both popular and classical traditions, Sanden demonstrates "]
[{"$nulls":4},"how liveness is performed by acts of human expression in productive tension with the electronic machines involved in making this music, whether on stage or on recording. Liveness is not a fixed ontological state that exists in the absence of electronic mediation, but rather a dynamically performed assertion of human presence within a technological network of communication. This book provides new insights into how the ideas of performance and liveness continue to permeate the perception and reception of even highly mediatized music within a society so deeply invested, on every level, with the use of electronic technologies."]
[null,"2.","Record Nr.",null,"UNINA9910778229703321"]
[null,null,"Autore",null,"Welch Michael, Ph. D."]
[null,null,"Titolo",null,"Scapegoats of September 11th [[electronic resource] ] : hate crimes & state crimes in the war on terror / / Michael Welch"]
[null,null,"Pubbl/distr/stampa",null,"New Brunswick, N.J., : Rutgers University Press, c2006"]
[null,null,"ISBN",null,"1-281-15134-3"]
[{"$nulls":4},"9786611151348"]
[{"$nulls":4},"0-8135-4139-5"]
[null,null,"Descrizione fisica",null,"1 online resource (234 p.)"]
[null,null,"Collana",null,"Critical issues in crime and society"]
[null,null,"Disciplina",null,"973.931"]
[null,null,"Soggetti",null,"War on Terrorism, 2001-2009 - Moral and ethical aspects"]
[{"$nulls":4},"September 11 Terrorist Attacks, 2001 - Influence"]
[{"$nulls":4},"Hate crimes - United States"]
[{"$nulls":4},"Arab Americans - Crimes against - United States"]
[{"$nulls":4},"Islamophobia - United States"]
[{"$nulls":4},"Prejudices - United States"]
[{"$nulls":4},"Civil rights - United States"]
[{"$nulls":4},"United States Race relations"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 193-218) and index."]
[null,null,"Nota di contenuto",null,"Talking about terror -- Seeking a safer society -- Scapegoating and social insecurity -- Crusading against terror -- Hate crimes as backlash violence -- Profiling and detention in post-9/11 America -- State crimes in the war on terror -- Claiming effectiveness -- Assaulting civil liberties -- Culture of denial."]
[null,null,null,"Sommario/riassunto","From its largest cities to deep within its heartland, from its heavily trafficked airways to its meandering country byways, America has become a nation racked by anxiety about terrorism and national security. In response to the fears prompted by the tragedy of September 11th, the country has changed in countless ways. Airline security has tightened, mail service is closely examined, and restrictions on civil liberties are more readily imposed by the government and accepted by a wary public. The altered American landscape, however, includes more than security measures and ID cards. The country's desperate quest for security is visible in many less obvious, yet more insidious ways. In Scapegoats of September 11th, "]
[{"$nulls":4},"criminologist Michael Welch argues that the \"war on terror\" is a political charade that delivers illusory comfort, stokes fear, and produces scapegoats used as emotional relief. Regrettably, much of the outrage that resulted from 9/11 has been targeted at those not involved in the attacks on the Pentagon or the Twin Towers. As this book explains, those people have become the scapegoats of September 11th. Welch takes on the uneasy task of sorting out the various manifestations of displaced aggression, most notably the hate crimes and state crimes that have become embarrassing hallmarks both at home and abroad. Drawing on topics such as ethnic profiling, the Abu Ghraib scandal, Guantanamo Bay, and the controversial Patriot Act, Welch looks at the significance of knowledge, language, and emotion in a post-9/11 world. In the face of popular and political cheerleading in the war on terror, this book presents a careful and sober assessment, reminding us that sound counterterrorism policies must rise above, rather than participate in, the propagation of bigotry and victimization."]
[null,"3.","Record Nr.",null,"UNINA9910619126003321"]
[null,null,"Titolo",null,"ICIG 2009 : proceedings of the Fifth International Conference on Image and Graphics : Xi'an, Shanxi, China, 20-23 September 2009"]
[null,null,"Pubbl/distr/stampa",null,"[Place of publication not identified], : IEEE Computer Society, 2010"]
[null,null,"ISBN",null,"0-7695-3883-5"]
[null,null,"Disciplina",null,"006.6"]
[null,null,"Soggetti",null,"Computer graphics - Digital techniques"]
[{"$nulls":4},"Image processing"]
[{"$nulls":4},"Engineering & Applied Sciences"]
[{"$nulls":4},"Technology - General"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]