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[null,"1.","Record Nr.",null,"UNINA9910785900203321"]
[null,null,"Autore",null,"Aparicio Frances R"]
[null,null,"Titolo",null,"Listening to Salsa [[electronic resource] ] : Gender, Latin Popular Music, and Puerto Rican Cultures"]
[null,null,"Pubbl/distr/stampa",null,"Middletown, : Wesleyan University Press, 2010"]
[null,null,"ISBN",null,"0-8195-6994-1"]
[null,null,"Descrizione fisica",null,"1 online resource (321 p.)"]
[null,null,"Collana",null,"Music Culture"]
[null,null,"Disciplina",null,"306.484"]
[null,null,"Soggetti",null,"Salsa (Music) - History and criticism - Puerto Rico"]
[{"$nulls":4},"Feminism and music"]
[{"$nulls":4},"Music History & Criticism, Popular - Jazz, Rock, etc"]
[{"$nulls":4},"Music"]
[{"$nulls":4},"Music, Dance, Drama & Film"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Cover; Listening to Salsa; MUSIC / CULTURE; Title; Copyright; Dedication; Contents; List of Illustrations; Illustrations; Preface; Part I The Danza and the Plena: Racializing Women, Feminizing Music; A Literary Prelude; Chapter 1 A White Lady Called the Danza; Piano music for the danza \"Laura y Georgina\"; Chapter 2 A Sensual Mulatta Called the Plena; Rafael Cortijo playing the timbales; Chapter 3 Desiring the Racial Other: Rosario Ferré's Feminist Reconstructions of Danza and Plena; Part II The Plural Sites of Salsa; A Postmodern Preface; Chapter 4 Situating Salsa"]
[{"$nulls":4},"Double article reviewing salsa concert and rock concertOrquesta de la Luz; Chapter 5 Ideological Negotiations: Between Hegemony and Resistance; Chapter 6 Cultural (Mis)Translations and Crossover Nightmares; El Gran Combo de Puerto Rico; Part III Dissonant Melodies: Singing Gender, Desire, and Conflict; Theoretical Pretexts: Listening (as) Woman; Chapter 7 Woman as Absence: Hetero(homo)sexual Desire in the Bolero; Daniel Santos, El inigualable; Chapter 8 Patriarchal Synecdoches: Of Women's Butts and Feminist Rebuttals; The New Xavier Cugat Orchestra CD cover; Illustration in Abran paso"]
[{"$nulls":4},"Chapter 9 Singing the Gender WarsChapter 10 Singing Female Subjectivities; La Lupe; Part IV Así Somos, Así Son: Rewriting Salsa; Listening to the Listeners: An Introduction; Chapter 11 Así Son: Constructing Woman; Chapter 12 Así Somos: Rewriting Patriarchy; "]
[{"$nulls":4},"Afterword; Notes; Index of Songs and Recordings; General Index"]
[null,null,null,"Sommario/riassunto","Portrays the complex politics of gender, sex, class, and race in Puerto Rican salsa music."]