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[null,"1.","Record Nr.",null,"UNINA9910297032103321"]
[null,null,"Autore",null,"Beyer Dominique"]
[null,null,"Titolo",null,"Akh Purattim 1 / / Jean-Claude Margueron, Olivier Rouault, Pierre Lombard"]
[null,null,"Pubbl/distr/stampa",null,"Lyon, : MOM Éditions, 2018"]
[null,null,"ISBN",null,"2-35668-184-1"]
[null,null,"Descrizione fisica",null,"1 online resource (337 p.)"]
[null,null,"Soggetti",null,"History &amp; Archaeology"]
[{"$nulls":4},"archaeology"]
[{"$nulls":4},"Antiquity"]
[{"$nulls":4},"bone"]
[{"$nulls":4},"ceramic"]
[{"$nulls":4},"temple"]
[{"$nulls":4},"funerary practice"]
[{"$nulls":4},"excavation report"]
[{"$nulls":4},"palace"]
[{"$nulls":4},"Syria"]
[{"$nulls":4},"botanique"]
[{"$nulls":4},"habitat"]
[{"$nulls":4},"iconographie"]
[{"$nulls":4},"palais"]
[{"$nulls":4},"terre cuite"]
[{"$nulls":4},"bronze"]
[{"$nulls":4},"statuaire"]
[{"$nulls":4},"récipient"]
[{"$nulls":4},"empreinte de sceau"]
[{"$nulls":4},"archéométrie"]
[{"$nulls":4},"céramique (style)"]
[{"$nulls":4},"bitume"]
[{"$nulls":4},"technologie du métal"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Akh Purattim ou « les rives de l'Eupkrate » est une des expressions utilisées au xviiie siècle av. J.-C. pour désigner le royaume de Mari, qui s’étendait de la confluence du Khabour au verrou de Bagbouz, actuellement à la frontière syro-irakienne. La série ainsi dénommée, précisée par son sous-titre Mémoires d’archéologie et d’histoire régionales interdisciplinaires, est destinée à devenir le point de rencontre des recherches historiques, archéologiques, épigraphiques ou archéométriques sur la région, en faisant en priorité appel aux travaux engagés par les diverses missions, françaises (Mari, Terqa...) et étrangères, en particulier pour la publication de leurs rapports préliminaires. Mais le titre peut également être pris dans une acception géographique beaucoup plus vaste et héberger des études qui s’intéressent le plus largement possible au rôle de cette confluence dans le jeu syro-mésopotamien tout au long de l’Antiquité.  Akh Purattim or “the hanks of the Euphrates is one of the expressions used in the 18th century B.C. to designate the kingdom of Mari, which extended from the confluence of the Khahur to the glacial cross cliff of Baghuz, today the Syrian-Iraqi harder. The series thus named, defined by its subtitle Mémoires darchéologie et d’histoire régionales interdisciplinaires, is intended to become the meeting point for historical, archaeological, epigraphic and archaeometric research on the region, with priority given to the work conducted by the various missions, Trench (Man, Terqa...) as well as foreign, in particular the publication of their preliminary reports. But the title can also include a larger geographic area and cover studies which arc concerned as widely as possible with the role of this confluence in Syro-Mesopotamian history throughout Antiquity."]
[null,"2.","Record Nr.",null,"UNINA9910785637003321"]
[null,null,"Autore",null,"Klausen Jytte"]
[null,null,"Titolo",null,"The Cartoons That Shook the World / / Jytte Klausen"]
[null,null,"Pubbl/distr/stampa",null,"New Haven, CT : , : Yale University Press, , [2009]"]
[{"$nulls":4},"©2009"]
[null,null,"ISBN",null,"0-300-15506-9"]
[null,null,"Descrizione fisica",null,"1 online resource (256 p.)"]
[null,null,"Disciplina",null,"363.4"]
[null,null,"Soggetti",null,"Caricatures and cartoons - Political aspects - Denmark"]
[{"$nulls":4},"Muslims - Denmark - Politics and government - 21st century"]
[{"$nulls":4},"Protest movements - Denmark - History - 21st century"]
[{"$nulls":4},"Caricatures and cartoons - Political aspects - Islamic countries"]
[{"$nulls":4},"Christianity and other religions - Islam"]
[{"$nulls":4},"Blasphemy (Islam)"]
[{"$nulls":4},"Denmark Relations Islamic countries"]
[{"$nulls":4},"Islamic countries Relations Denmark"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [201]-219) and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter 1. The Editors and the Cartoonists -- Chapter 2. The Path to a Showdown -- Chapter 3. The Diplomatic Protest against the Cartoons -- Chapter 4. Muslims' ''Day of Rage'' -- Chapter 5. Seeking the Third Way -- Chapter 6. Muslim Iconoclasm and Christian Blasphemy -- Chapter 7. Danish Intolerance and Foreign Relations -- Chapter 8. The Freedom Agenda Rebound -- Chronology -- Notes -- Index"]
[null,null,null,"Sommario/riassunto","On September 30, 2005, the Danish newspaper Jyllands-Posten published twelve cartoons of the Prophet Muhammad. Five months later, thousands of Muslims inundated the newspaper with outpourings of anger and grief by phone, email, and fax; from Asia to Europe Muslims took to the streets in protest. This book is the first comprehensive investigation of the conflict that aroused impassioned debates around the world on freedom of expression, blasphemy, and the nature of modern Islam. Jytte Klausen interviewed politicians in the Middle East, Muslim leaders in Europe, the Danish editors and cartoonists, and the Danish imam who started the controversy. Following the winding trail of protests across the world, she "]
[{"$nulls":4},"deconstructs the arguments and motives that drove the escalation of the increasingly globalized conflict. She concludes that the Muslim reaction to the cartoons was not-as was commonly assumed-a spontaneous emotional reaction arising out of the clash of Western and Islamic civilizations. Rather it was orchestrated, first by those with vested interests in elections in Denmark and Egypt, and later by Islamic extremists seeking to destabilize governments in Pakistan, Lebanon, Libya, and Nigeria. Klausen shows how the cartoon crisis was, therefore, ultimately a political conflict rather than a colossal cultural misunderstanding."]