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[null,"1.","Record Nr.",null,"UNINA9910785426803321"]
[null,null,"Autore",null,"Lees Nicola <1966->"]
[null,null,"Titolo",null,"Greenlit : developing factual/reality TV ideas from concept to pitch / / Nicola Lees"]
[null,null,"Pubbl/distr/stampa",null,"London, England : , : Methuen Drama, , [2010]"]
[{"$nulls":4},"Â©2010"]
[null,null,"ISBN",null,"1-282-96075-X"]
[{"$nulls":4},"9786612960758"]
[{"$nulls":4},"1-4081-2333-9"]
[{"$nulls":4},"1-4081-9881-9"]
[null,null,"Descrizione fisica",null,"1 online resource (515 p.)"]
[null,null,"Collana",null,"Professional Media Practice"]
[null,null,"Disciplina",null,"791.43612"]
[null,null,"Soggetti",null,"Reality television programs - Production and direction"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover Page; Title Page; Copyright Page; Table of Contents; Acknowledgments; List of Illustrations; Style Note; Introduction; 1 Welcome to Development Hell (A.K.A. What the Hell Is Development?); 2 Do You Have What It Takes?; 3 Understanding the TV Landscape; 4 Generating Ideas; 5 Developing an Idea; 6 Considering Multiplatform Content; 7 Writing a Killer Proposal; 8 Finding and Keeping Talent; 9 The Pitch Tape; 10 The Pitch; 11 Alternative Sources of Funding; 12 Getting the Greenlight; Reality Check-Idea Tick List; Sample Budget Template; Channel Budget Guide; Glossary; End Notes"]
[{"$nulls":4},"Select Bibliography"]
[null,null,null,"Sommario/riassunto","Blows the lid on so many TV secrets\"\"\"\" Tom Archer, Controller Factual, BBC \"\"\"\"If every first-time producer read this before pitching a program, I guarantee a greater success rate\"\"\"\" Gary Lico, President/CEO, CABLEready, USA In recent years there has been an explosion of broadcast and cable channels with a desperate need for original factual/reality programming to fill their schedules: -documentaries, observational series, makeover formats, reality competitions. Yet television executives receive a daily avalanche of inappropriate pitches from pushy, badly prepared producers. Only 1 in 100 pr"]