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[null,"1.","Record Nr.",null,"UNINA9910785030703321"]
[null,null,"Autore",null,"Rolls Alistair"]
[null,null,"Titolo",null,"French and American Noir [[electronic resource] ] : Dark Crossings / / by Alistair Rolls, Deborah Walker"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2009"]
[null,null,"ISBN",null,"1-282-67182-0"]
[{"$nulls":4},"9786612671821"]
[{"$nulls":4},"0-230-24482-3"]
[null,null,"Edizione",null,"[1st ed. 2009.]"]
[null,null,"Descrizione fisica",null,"1 online resource (240 p.)"]
[null,null,"Collana",null,"Crime Files"]
[null,null,"Disciplina",null,"791.43/655"]
[{"$nulls":4},"791.43655"]
[null,null,"Soggetti",null,"America—Literatures"]
[{"$nulls":4},"Motion pictures and television"]
[{"$nulls":4},"Fiction"]
[{"$nulls":4},"Literature, Modern—20th century"]
[{"$nulls":4},"European literature"]
[{"$nulls":4},"North American Literature"]
[{"$nulls":4},"Screen Studies"]
[{"$nulls":4},"Twentieth-Century Literature"]
[{"$nulls":4},"European Literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 200-221) and index."]
[null,null,"Nota di contenuto",null,"Introduction -- Fetishistic noir : Charles Baudelaire and Léo Malet -- Liberation noir : Boris Vian and the série noire (1) -- Allegorical noir : Boris Vian and the série noire (2) -- Noir strangulation (1) : Terry Stewart and Vernon Sullivan -- Noir strangulation (2) : Amélie Nothomb and intertextuality -- Jazz : classic French film noir as trans-Atlantic exchange -- Fatal(e) crossings : figures of the feminine in French and American film noir -- Americans in Paris -- From honest thief to media sociopath -- Double-crossings : reversing the remake."]
[null,null,null,"Sommario/riassunto","A longstanding misconception surrounding the term French noir suggests that the post-war French thriller and film noir were a development of, or response to, a pre-existing American tradition. This book challenges this misconception, examining the complexity of this trans-Atlantic exchange and refocusing debate to include a Franco-"]
[{"$nulls":4},"French lineage."]