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[null,"1.","Record Nr.",null,"UNINA9910784665003321"]
[null,null,"Autore",null,"Keathley Christian"]
[null,null,"Titolo",null,"Cinephilia and history, or, The wind in the trees [[electronic resource] /] / Christian Keathley"]
[null,null,"Pubbl/distr/stampa",null,"Bloomington, : Indiana University Press, c2006"]
[null,null,"ISBN",null,"0-253-11147-1"]
[null,null,"Descrizione fisica",null,"1 online resource (233 p.)"]
[null,null,"Disciplina",null,"791.43/09"]
[null,null,"Soggetti",null,"Motion pictures"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 179-207) and index."]
[null,null,"Nota di contenuto",null,"1. The desire for cinema -- 2. The cinephiliac moment and panoramic perception -- 3. André Bazin and the revelatory potential of cinema -- 4. Cahiers du cinéma and the way of looking -- 5. Film and the limits of history -- 6. A cinephiliac history -- 7. Five cinephiliac anecdotes."]
[null,null,null,"Sommario/riassunto","Cinephilia and History, or The Wind in the Trees is in part a history of                cinephilia, in part an attempt to recapture the spirit of cinephilia for the                discipline of film studies, and in part an experiment in cinephilic                writing.Cinephiles have regularly fetishized contingent, marginal                details in the motion picture image: the gesture of a hand, the wind in the trees.                Christian Keathley demonstrates that the spectatorial tendency that produces such                cinematic encounters -- a viewing practice marked b"]