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[null,"1.","Record Nr.",null,"UNINA9910784576603321"]
[null,null,"Autore",null,"O'Brien Charles <1955->"]
[null,null,"Titolo",null,"Cinema's conversion to sound [[electronic resource] ] : technology and film style in France and the U.S. / / Charles O'Brien"]
[null,null,"Pubbl/distr/stampa",null,"Bloomington, : Indiana University Press, c2005"]
[null,null,"ISBN",null,"0-253-11112-9"]
[null,null,"Descrizione fisica",null,"1 online resource (216 p.)"]
[null,null,"Disciplina",null,"791.43/09"]
[null,null,"Soggetti",null,"Sound motion pictures - History"]
[{"$nulls":4},"Motion pictures - France - History"]
[{"$nulls":4},"Motion pictures - United States - History"]
[{"$nulls":4},"Sound - Recording and reproducing - France - History - 20th century"]
[{"$nulls":4},"Sound - Recording and reproducing - United States - History - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes filmography: p. [191]-186."]
[{"$nulls":4},"Includes bibliographical references (p. [165]-190) and index."]
[null,null,"Nota di contenuto",null,"Sound's impact on film style : the case for homogenization -- Film history after recorded sound : from crisis to continuity -- The talkies in France : imported films as exemplars -- Sound-era film editing : international norms, local commitments -- Shooting and recording in Paris and Hollywood -- Hollywood indigenized : pathé-natan and national popular cinema -- Conclusion: sound and national film style--past and present."]
[null,null,null,"Sommario/riassunto","The conversion to sound cinema is routinely portrayed as a homogenizing                process that significantly reduced the cinema's diversity of film styles and                practices. Cinema's Conversion to Sound offers an alternative assessment of                synchronous sound's impact on world cinema through a shift in critical focus: in                contrast to film studies' traditional exclusive concern with the film image, the                book investigates national differences in sound-image practice in a revised account                of the global changeover from silent"]