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[null,"1.","Record Nr.",null,"UNINA9910784572003321"]
[null,null,"Titolo",null,"Understanding digital cinema : a professional handbook / / Charles S. Swartz, editor"]
[null,null,"Pubbl/distr/stampa",null,"Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005"]
[null,null,"ISBN",null,"1-136-03634-2"]
[{"$nulls":4},"1-281-00585-1"]
[{"$nulls":4},"9786611005856"]
[{"$nulls":4},"0-08-047044-0"]
[null,null,"Edizione",null,"[1st edition]"]
[null,null,"Descrizione fisica",null,"1 online resource (353 p.)"]
[null,null,"Disciplina",null,"778.5/3"]
[null,null,"Soggetti",null,"Digital cinematography"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes bibliographical references and (p. 307-311) and index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Understanding Digital Cinema: A Professional Handbook; Copyright; Contents; Foreword; Chapter 1 Introduction; Advantages and Challenges of Digital Technology for Motion Pictures; Who Is Working to Develop Specifications and Standards?; Chapter 2 The New Post Production Workflow: Today and Tomorrow; The Traditional Post Production Workflow; The Modern Motion Picture-the New Digital Workflow; Chapter 3 Color in Digital Cinema; \"Faithful\" and \"Pleasing\" Reproduction; Film; Digital Cinema; Issues in Color Image Data Representation; Color Gamut; Choice of a Color Coding System"]
[{"$nulls":4},"The Digital IntermediateThe Challenge of Wide-Gamut Reproduction; Acknowledgments; Chapter 4 The Mastering Process; The Process; Capture: Content Ingest; Creative Image Manipulation; Audio Preparation: An Expanded Scope; Related Data Creation; The Future of Mastering; Chapter 5 Compression for Digital Cinema; What Is Compression?; Why Is Compression Needed for Digital Cinema?; Sampling of images; Compression systems for motion pictures; Fundamental concepts; Transforms; Temporal Compression; Compression systems and standards; Intellectual property and licensing; Conclusions"]
[{"$nulls":4},"Chapter 6 Security and PackagingSecurity Primer; The Value of Security in the Supply Chain; Review of Early Fielded Systems; The Next Generation; Design Philosophy; Chapter 7 Audio for Digital Cinema; The Historical View and Opportunity; The Current Status of Cinema "]
[{"$nulls":4},"Audio; Potential New Features; The Debate-How and Why; The Standards; Channel Maps and Labels: Legacy Channels; Potentials; The Reality; Chapter 8 Digital Cinema Distribution; Content Preparation; Delivery; Security; Digital Asset Management; Digital Archiving; System Overview"]
[{"$nulls":4},"Case Study:Warner Bros. Entertainment Inc. : Proof-of-ConceptChapter 9 Projection; Viewing Characteristics of the Theatre; Projection System Performance Parameters and Measurement Methods; Color; Motion Management; Aspect Ratios Sizing and Lensing; Convergence and Registration; Mechanical Issues; Image Quality: The Reference Projector; Projection System Data Interfaces; Test Materials; Candidate Projection Technologies; Chapter 10 Theatre Systems; System Interoperability; User Requirements; Media Block Architectures; Operations and Maintenance; Workflow; Performance Controls"]
[{"$nulls":4},"Show Play Lists and SchedulesTime Code; Supervisory Controls and Monitoring; Logging Show Operations; Piracy Protection and Security; Content Delivery; Putting A Point To It; Chapter 11 An International Perspective; Europe; Local Initiatives; Europewide Sponsored Projects; Asia; Latin America; Africa & Middle East; Appendix The DC28 Standard; Contributor Biographies; Index"]
[null,null,null,"Sommario/riassunto","UNDERSTANDING DIGITAL CINEMA: A PROFESSIONAL HANDBOOK is a comprehensive resource on all aspects of finishing, distributing and displaying film digitally. For technical professionals as well as non-technical decision-makers, the book is a detailed exploration of every component of the process, from mastering to theater management.  * An overview of digital cinema system requirements* Post production work flow* Color in digital cinema* The digital cinema mastering process* Fundamental"]