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[null,"1.","Record Nr.",null,"UNISALENTO991000689699707536"]
[null,null,"Autore",null,"Campbell, Herbert James"]
[null,null,"Titolo",null,"Le aree del piacere / Herbert J. Campbell ; traduzione di Libero Sosio"]
[null,null,"Pubbl/distr/stampa",null,"[Milano] : A. Mondadori, 1974"]
[null,null,"Descrizione fisica",null,"312 p. ; 20 cm"]
[null,null,"Collana",null,"Saggi"]
[null,null,"Disciplina",null,"152.4"]
[null,null,"Soggetti",null,"Piacere"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910784555303321"]
[null,null,"Autore",null,"Caplin William Earl <1948->"]
[null,null,"Titolo",null,"Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / / William E. Caplin"]
[null,null,"Pubbl/distr/stampa",null,"New York ; ; Oxford : , : Oxford University Press, , 1998"]
[null,null,"ISBN",null,"0-19-772766-2"]
[{"$nulls":4},"0-19-988175-8"]
[{"$nulls":4},"1-280-45264-1"]
[{"$nulls":4},"0-19-535575-X"]
[{"$nulls":4},"1-60256-121-4"]
[null,null,"Descrizione fisica",null,"1 online resource (xii, 307 p.)"]
[null,null,"Disciplina",null,"784.18"]
[null,null,"Soggetti",null,"Musical form"]
[{"$nulls":4},"Instrumental music - 18th century - Analysis, appreciation"]
[{"$nulls":4},"Instrumental music - 19th century - Analysis, appreciation"]
[{"$nulls":4},"Musical analysis"]
[{"$nulls":4},"Classicism in music"]
[{"$nulls":4},"Music theory - History - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 289-292) and index."]
[null,null,"Nota di contenuto",null,"1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form."]
[null,null,null,"Sommario/riassunto","Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven."]