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[null,"1.","Record Nr.",null,"UNINA9910784400003321"]
[null,null,"Autore",null,"Green Charles <1953->"]
[null,null,"Titolo",null,"The third hand [[electronic resource] ] : collaboration in art from conceptualism to postmodernism / / Charles Green"]
[null,null,"Pubbl/distr/stampa",null,"Minneapolis, : University of Minnesota Press, c2001"]
[null,null,"ISBN",null,"0-8166-9233-5"]
[null,null,"Descrizione fisica",null,"1 online resource (266 p.)"]
[null,null,"Disciplina",null,"700/.9/04"]
[null,null,"Soggetti",null,"Artist couples"]
[{"$nulls":4},"Artistic collaboration"]
[{"$nulls":4},"Conceptual art"]
[{"$nulls":4},"Modernism (Art)"]
[{"$nulls":4},"Postmodernism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 201-234) and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Introduction: Collaboration as Symptom; Part I. Collaboration as Administration; 1. Art by Long Distance; 2. Conceptual Bureaucracy; Part II. Collaboration, Anonymity, and Partnership; 3. Memory, Ruins, and Archives; 4. Memory Storage; 5. Memory and Ethics; Part III. Collaboration and the Third Hand; 6. Negotiated Identity; 7. Eliminating Personality; 8. Missing in Action; 9. Doubles, Doppelgängers, and the Third Hand; Conclusion: The Value Added Landscape; Notes; Index;"]
[null,null,null,"Sommario/riassunto","Since the 1960's, a number of artists have challenged the dominant paradigm of art-that of the lone artist-by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art."]