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[null,"1.","Record Nr.",null,"UNINA9910784367403321"]
[null,null,"Autore",null,"Parati Graziella"]
[null,null,"Titolo",null,"Public history, private stories [[electronic resource] ] : Italian women's autobiography / / Graziella Parati"]
[null,null,"Pubbl/distr/stampa",null,"Minneapolis, : University of Minnesota Press, c1996"]
[null,null,"ISBN",null,"0-8166-8648-3"]
[null,null,"Descrizione fisica",null,"1 online resource (206 p.)"]
[null,null,"Disciplina",null,"850.9/9287"]
[null,null,"Soggetti",null,"Italian prose literature - Women authors - History and criticism"]
[{"$nulls":4},"Autobiography - Women authors"]
[{"$nulls":4},"Public opinion in literature"]
[{"$nulls":4},"Women and literature - Italy"]
[{"$nulls":4},"Privacy in literature"]
[{"$nulls":4},"Women in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 159-188) and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Introduction; ONE: Camilla Faà Gonzaga: Public and Private in a Woman's Autobiography; TWO: Speaking through Her Body: The Futurist Seduction of a Woman's Voice; THREE: From Genealogy to Gynealogy and Beyond: Fausta Cialente's Le quattro ragazze Wieselberger; FOUR: Rita Levi Montalcini's Perfect Imperfection: A Woman's Role in the Public Sphere; FIVE: Luisa Passerini's Autoritratto di gruppo: Personalizing Theory; CONCLUSION: Beyond Gynealogical Techniques: Writing Private History and Public Stories; Notes; Index"]
[null,null,null,"Sommario/riassunto","Parati examines the ways in which Italian women writers articulate their identities through autobiography-a public act that is also the creation of a private life. Considering autobiographical writings by five women writers from the seventeenth century to the present, Parati draws important connections between self-writing and the debate over women's roles, both traditional and transgressive."]