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[null,"1.","Record Nr.",null,"UNINA9910784101803321"]
[null,null,"Autore",null,"Remedi Gustavo"]
[null,null,"Titolo",null,"Carnival theater : Uruguay's popular performers and national culture / / Gustavo Remedi ; translated by Amy Ferlazzo"]
[null,null,"Pubbl/distr/stampa",null,"Minneapolis : , : University of Minnesota Press, , 2004"]
[{"$nulls":4},"©2004"]
[null,null,"ISBN",null,"0-8166-9081-2"]
[null,null,"Descrizione fisica",null,"1 online resource (xviii, 289 pages)"]
[null,null,"Collana",null,"Cultural studies of the Americas ; ; v. 15"]
[null,null,"Disciplina",null,"394.25/09895"]
[null,null,"Soggetti",null,"Carnival - Uruguay"]
[{"$nulls":4},"Street theater - Uruguay"]
[{"$nulls":4},"Popular culture - Uruguay"]
[{"$nulls":4},"Uruguay Social life and customs"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"Originally published as: Murgas : el teatro de los tablados : interpretacioń y crit́ica de la cultura nacional, c1996\"--Verso t.p."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 269-289) and index."]
[null,null,"Nota di contenuto",null,"Contents; Prologue: Metaphors for Approaching National Culture; Acknowledgments; 1. The Interpretation of National Culture from the Site of Popular Cultural Practice; 2. To Open Up the Night: Carnival and the Struggle for a National, Democratic, and Popular Order; 3. Theology of Carnival: The Religious Masks of Carnivalesque Theater; 4. Bodies, Costumes, and Characters; 5. Carnival Celebrates the National Popular Epic; Conclusion: From the Garden of the Comparsas; Appendix: Librettos of Principal Murgas from the Montevideo Carnival, 1988; Notes"]
[null,null,null,"Sommario/riassunto","Focusing on the cultural practices of the lower classes and specifically on the productions of the murgas, Carnival Theater is a consideration of Uruguayan society's identity crisis and subsequent redefinition in the wake of the regimes of the 1970's. A revealing work of cultural criticism, the book proposes a new set of criteria for the critique of national culture."]