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[null,"1.","Record Nr.",null,"UNINA9910784052203321"]
[null,null,"Titolo",null,"Women's places : architecture and design 1860-1960 / / edited by Brenda Martin and Penny Sparke"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 2003"]
[null,null,"ISBN",null,"1-134-45300-0"]
[{"$nulls":4},"1-134-45301-9"]
[{"$nulls":4},"0-415-28449-X"]
[{"$nulls":4},"1-280-07519-8"]
[{"$nulls":4},"0-203-40201-4"]
[null,null,"Descrizione fisica",null,"1 online resource (186 p.)"]
[null,null,"Disciplina",null,"720/.82"]
[null,null,"Soggetti",null,"Women architects"]
[{"$nulls":4},"Women designers"]
[{"$nulls":4},"Aesthetic movement (Art)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Book Cover; Title; Contents; Illustration credits; Contributors; Introduction; Questions of identity: women, architecture and the Aesthetic Movement; Creating 'The New Room';  the Hall sisters of West Wickham and Richard Norman Shaw; Elsie de Wolfe and her female clients, 1905  15: gender, class and the professional interior decorator; Your place or mine? The client's contribution to domestic architecture; Architecture and reputation: Eileen Gray, gender, and modernism; Marie Dormoy and the architectural conversation; A house of her own;  Dora Gordine and Dorich House (1936)"]
[{"$nulls":4},"Elizabeth Denby or Maxwell Fry? A matter of attributionSelect Bibliography; Index"]
[null,null,null,"Sommario/riassunto","What was different about the environments that women created as architects, designers and clients at a time when they were gaining increasing political and social status in a male world? Through a series of case studies, Women's Places: Architecture and Design 1860-1960, examines in detail the professional and domestic spaces created by women who had money and the opportunity to achieve their ideal. Set against a background of accepted notions of modernity relating to design and architecture of the late 19th and early 20th centuries, this book provides a fascinating insight into women"]