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[null,"1.","Record Nr.",null,"UNINA9910783740003321"]
[null,null,"Titolo",null,"British science fiction cinema / / edited by I.Q. Hunter"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 1999"]
[null,null,"ISBN",null,"1-134-70276-0"]
[{"$nulls":4},"0-203-00977-0"]
[{"$nulls":4},"0-203-16980-8"]
[{"$nulls":4},"1-280-33522-X"]
[{"$nulls":4},"1-134-70277-9"]
[null,null,"Descrizione fisica",null,"1 online resource (231 p.)"]
[null,null,"Collana",null,"British popular cinema"]
[null,null,"Disciplina",null,"791.43/615"]
[null,null,"Soggetti",null,"Science fiction films - Great Britain - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Filmography: p. [181]-208."]
[{"$nulls":4},"Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Book Cover; Title; Contents; List of illustrations; Notes on contributors; Acknowledgements; Introduction: the strange world of the British science fiction film; Things to Come and science fiction in the 1930's; 'We're the Martians now': British sf invasion fantasies of the 1950's and 1960's; Apocalypse then!: the ultimate monstrosity and strange things on the coastan interview with Nigel Kneale; Alien women: the politics of sexual difference in British sf pulp cinema; 'A stiff upper lip and a trembling lower one': John Wyndham on screen"]
[{"$nulls":4},"Trashing London: the British colossal creature film and fantasies of mass destruction The Day the Earth Caught Fire; Adapting telefantasy: the Doctor Who and the Daleks films; 'A bit of the old ultra-violence': A Clockwork Orange; The British post-Alien intrusion film; Dream girls and mechanic panic: dystopia and its others in Brazil and Nineteen Eighty-Four; 'No flesh shall be spared': Richard Stanley's Hardware; Filmography; Index"]
[null,null,null,"Sommario/riassunto","British Science Fiction Cinema is the first substantial study of a genre which, despite a sometimes troubled history, has produced some of the best British films, from the prewar classic Things to Come to Alien made in Britain by a British director. The contributors to this rich and provocative collection explore the diverse strangeness of British science fiction, from literary adaptions like Nineteen Eighty-Four and A Clockwork Orange to pulp fantasies and 'creature features' far removed "]
[{"$nulls":4},"from the acceptable face of British cinema.Through case studies of"]