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[null,"1.","Record Nr.",null,"UNINA9910783647203321"]
[null,null,"Autore",null,"Kelly Michael P"]
[null,null,"Titolo",null,"Colitis [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Hoboken, : Taylor and Francis, 1992"]
[null,null,"ISBN",null,"9786610071692"]
[null,null,"Descrizione fisica",null,"1 online resource (141 p.)"]
[null,null,"Disciplina",null,"616.344"]
[null,null,"Soggetti",null,"Psychology"]
[{"$nulls":4},"Surgery"]
[{"$nulls":4},"Ulcerative colitis"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Book Cover; Title; Contents; Preface; Acknowledgements; Editors' preface; The background; The start of the trouble; Living with ulcerative colitis; Having the operation; Living with an ileostomy; The experience of colitis and colectomy: coping with illness and surgery; References; Index"]
[null,null,null,"Sommario/riassunto","Ulcerative colitis is a chronic condition that has a number of long-term complications and creates certain short-term problems for the sufferer. Michael Kelly, himself a sufferer, describes the experience of ulcerative colitis from the perspective of men and women who have had the disease and examines the social and psychological issues surrounding the condition."]
[null,"2.","Record Nr.",null,"UNINA9910483067503321"]
[null,null,"Autore",null,"D'Arcy Geraint"]
[null,null,"Titolo",null,"Mise en scène, Acting, and Space in Comics / / by Geraint D'Arcy"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2020"]
[null,null,"ISBN",null,"9783030511135"]
[{"$nulls":4},"3030511138"]
[null,null,"Edizione",null,"[1st ed. 2020.]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Palgrave Studies in Comics and Graphic Novels, , 2634-6389"]
[null,null,"Disciplina",null,"741.59"]
[{"$nulls":4},"301"]
[null,null,"Soggetti",null,"Comic books, strips, etc - Influence on mass media"]
[{"$nulls":4},"Stage management"]
[{"$nulls":4},"Motion pictures"]
[{"$nulls":4},"Comics Studies"]
[{"$nulls":4},"Technology and Stagecraft"]
[{"$nulls":4},"Film Theory"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"1. Introduction -- 2. Mise en scène and Décor -- 3. Acting -- 4. Space -- 5. Conclusion. ."]
[null,null,null,"Sommario/riassunto","\"This is a clear, concise, and very useful book for students, educators, and academics in the field of comic studies. It will be the 'go-to' book from now on and help us all feel more comfortable using 'mise en scène' in our conversations, debates, and analyses of comic books.\" —Ian Hornsby, University of Chichester, United Kingdom This book explores some of the less frequently questioned ideas which underpin comics creation and criticism. “Mise en scène” is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scène, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics. Geraint D’Arcy is a practising scenographer, and the author of Critical Approaches to TV and Film Set Design (2019). A Lecturer in "]
[{"$nulls":4},"Media practice at the UEA, Norwich, he previously worked at USW, Cardiff, where he helped establish the bi-annual Creative Comics, Creating Comics symposium."]