{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":23,"n_cols":5,"rows_kept":23,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[10,2,10,3],[11,2,11,3],[12,2,12,3],[13,2,13,3],[17,2,17,3],[18,2,18,3],[21,2,21,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910783311703321"]
[null,null,"Autore",null,"Berger Martin A"]
[null,null,"Titolo",null,"Sight unseen : whiteness and American visual culture / / Martin A. Berger"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley : , : University of California Press, , 2005"]
[{"$nulls":4},"©2005"]
[null,null,"ISBN",null,"1-282-35772-7"]
[{"$nulls":4},"9786612357725"]
[{"$nulls":4},"0-520-93191-2"]
[{"$nulls":4},"1-4237-2764-9"]
[{"$nulls":4},"1-59875-786-5"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (xiv, 236 pages) : illustrations, maps"]
[null,null,"Disciplina",null,"701/.03"]
[null,null,"Soggetti",null,"Art and race"]
[{"$nulls":4},"Arts, American - 19th century"]
[{"$nulls":4},"Race awareness in art"]
[{"$nulls":4},"White people - Race identity - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; List of Illustrations; Acknowledgments; Introduction. White Like Me; 1. Genre Painting and the Foundations of Modern Race; 2. Landscape Photography and the White Gaze; 3. Museum Architecture and the Imperialism of Whiteness; 4. Silent Cinema and the Gradations of Whiteness; Epilogue. The Triumph of Racialized Thought; Notes; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Sight Unseen explores how racial identity guides the interpretation of the visual world. Through a nimble analysis of late-nineteenth- and early-twentieth-century paintings, photographs, museums, and early motion pictures, Martin A. Berger illustrates how a shared investment in whiteness invisibly guides what European Americans see, what they accept as true, and, ultimately, what legal, social, and economic policies they enact."]