{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":35,"n_cols":5,"rows_kept":35,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[13,2,13,3],[14,2,14,3],[15,2,15,3],[16,2,16,3],[27,2,27,3],[28,2,28,3],[32,2,32,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910783286303321"]
[null,null,"Autore",null,"Esteve Mary"]
[null,null,"Titolo",null,"The aesthetics and politics of the crowd in American literature / / Mary Esteve [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2003"]
[null,null,"ISBN",null,"1-107-13386-6"]
[{"$nulls":4},"1-280-16133-7"]
[{"$nulls":4},"0-511-12064-8"]
[{"$nulls":4},"1-139-14820-6"]
[{"$nulls":4},"0-511-06497-7"]
[{"$nulls":4},"0-511-05864-0"]
[{"$nulls":4},"0-511-30581-8"]
[{"$nulls":4},"0-511-48549-2"]
[{"$nulls":4},"0-511-07343-7"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 262 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Cambridge studies in American literature and culture ; ; 135"]
[null,null,"Disciplina",null,"810.9/358"]
[null,null,"Soggetti",null,"American literature - History and criticism"]
[{"$nulls":4},"Crowds in literature"]
[{"$nulls":4},"Politics and literature - United States"]
[{"$nulls":4},"Literature and society - United States"]
[{"$nulls":4},"Collective behavior in literature"]
[{"$nulls":4},"City and town life in literature"]
[{"$nulls":4},"Immigrants in literature"]
[{"$nulls":4},"Lynching in literature"]
[{"$nulls":4},"Aesthetics, American"]
[{"$nulls":4},"Mobs in literature"]
[{"$nulls":4},"Race in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 239-255) and index."]
[null,null,"Nota di contenuto",null,"When travelers swarm forth: antebellum urban aesthetics and the contours of the political -- In 'the thick of the stream': Henry James and the public sphere -- A 'gorgeous neutrality': social justice and Stephen Crane's documentary anaesthetics -- Vicious gregariousness: white city, the nation form, and the souls of lynched folk -- A 'moving mosaic': Harlem, primitivism, and Nella Larsen's Quicksand -- Breaking "]
[{"$nulls":4},"the waves: mass immigration, trauma, and ethno-political consciousness in Cahan, Yezierska, and Roth."]
[null,null,null,"Sommario/riassunto","Mary Esteve provides a study of crowd representations in American literature from the antebellum era to the early twentieth century. As a central icon of political and cultural democracy, the crowd occupies a prominent place in the American literary and cultural landscape. Esteve examines a range of writing by Poe, Hawthorne, Lydia Maria Child, Du Bois, James, and Stephen Crane among others. These writers, she argues, distinguish between the aesthetics of immersion in a crowd and the mode of collectivity demanded of political-liberal subjects. In their representations of everyday crowds, ranging from streams of urban pedestrians to swarms of train travellers, from upper-class parties to lower-class revivalist meetings, such authors seize on the political problems facing a mass liberal democracy - problems such as the stipulations of citizenship, nation formation, mass immigration and the emergence of mass media. Esteve examines both the aesthetic and political meanings of such urban crowd scenes."]