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[null,"1.","Record Nr.",null,"UNINA9910782457303321"]
[null,null,"Autore",null,"Verhoeven Deb"]
[null,null,"Titolo",null,"Jane Campion [[electronic resource] /] / Deb Verhoeven"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York, : Routledge, 2009"]
[null,null,"ISBN",null,"1-134-50404-7"]
[{"$nulls":4},"1-281-90119-9"]
[{"$nulls":4},"9786611901196"]
[{"$nulls":4},"0-203-88596-1"]
[null,null,"Descrizione fisica",null,"1 online resource (286 p.)"]
[null,null,"Collana",null,"Routledge film guidebooks"]
[null,null,"Disciplina",null,"791.4302/33092"]
[{"$nulls":4},"791.430233092"]
[null,null,"Soggetti",null,"Motion picture producers and directors - New Zealand"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [240]-263) and index."]
[{"$nulls":4},"Includes filmography: p. [220]-239."]
[null,null,"Nota di contenuto",null,"BOOK COVER; TITLE; COPYRIGHT; CONTENTS; LIST OF ILLUSTRATIONS; ACKNOWLEDGEMENTS; INTRODUCTION Being Jane Campion in a Post-Campion World?; 1 BECOMING JANE CAMPION Modes of auteurism and the media; 2 REALIZING JANE CAMPION The industry, politics and economics of contemporary auteurism; 3 DISCIPLINING JANE CAMPION Auteurism and the knowing audience; 4 JANE CAMPION ON JANE CAMPION One more interview; CHRONOLOGY; FILMOGRAPHY; BIBLIOGRAPHIC RESOURCES; GLOSSARY; INDEX"]
[null,null,null,"Sommario/riassunto","Jane Campion is one of the most celebrated auteurs of modern cinema and was the first female director to be awarded the prestigious Palme d'Or. Throughout her relatively short career, Campion has received extraordinary attention from the media and scholars alike and has provoked fierce debates on issues such as feminism, colonialism, and nationalism. In this detailed account of Jane Campion's career as a filmmaker, Deb Verhoeven examines specifically how contemporary film directors 'fashion' themselves as auteurs - through their personal interactions with the media, in their choice o"]