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[null,"1.","Record Nr.",null,"UNINA9910782229803321"]
[null,null,"Autore",null,"Barber Charles <1964->"]
[null,null,"Titolo",null,"Contesting the logic of painting [[electronic resource] ] : art and understanding in eleventh-century Byzantium / / by Charles Barber"]
[null,null,"Pubbl/distr/stampa",null,"Leiden ; ; Boston, : Brill, 2007"]
[null,null,"ISBN",null,"1-281-93989-7"]
[{"$nulls":4},"9786611939892"]
[{"$nulls":4},"90-474-3161-8"]
[null,null,"Descrizione fisica",null,"1 online resource (224 p.)"]
[null,null,"Collana",null,"Visualising the Middle Ages, , 1874-0448 ; ; v. 2"]
[null,null,"Disciplina",null,"704.9/48209495"]
[null,null,"Soggetti",null,"Icons, Byzantine"]
[{"$nulls":4},"Image (Theology)"]
[{"$nulls":4},"Byzantine Empire Church history"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [165]-175) and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material / C.E. Barber -- Chapter One. The Synodikon Of Orthodoxy And The Ground Of Painting / C.E. Barber -- Chapter Two. Symeon The New Theologian: Seeing Beyond Painting / C.E. Barber -- Chapter Three. Michael Psellos: Seeing Through Painting / C.E. Barber -- Chapter Four. Eustratios Of Nicaea And The Constraints Of Theology / C.E. Barber -- Chapter Five. Leo Of Chalcedon, Euthymios Zigabenos And The Return To The Past / C.E. Barber -- Afterword / C.E. Barber -- Bibliography / C.E. Barber -- Index / C.E. Barber -- Illustrations / C.E. Barber."]
[null,null,null,"Sommario/riassunto","Studies of the icon in Byzantium have tended to focus on the iconoclastic era of the eighth- and ninth-centuries. This study shows that discussion of the icon was far from settled by this lengthy dispute. While the theory of the icon in Byzantium was governed by a logical understanding that had limited painting to the visible alone, the four authors addressed in this book struggled with this constraint. Symeon the New Theologian, driven by a desire for divine vision, chose, effectively, to disregard the icon. Michael Psellos used a profound neoplatonism to examine the relationship between an icon and miracles. Eustratios of Nicaea followed the logic of painting to the point at which he could clarify a distinction between painting from theology. Leo of Chalcedon attempted to describe a formal presence in the divine portrait of Christ. All told, these authors open perspectives on the icon "]
[{"$nulls":4},"that enrich and expand our own modernist understanding of this crucial medium."]