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[null,"1.","Record Nr.",null,"UNINA9910782089003321"]
[null,null,"Autore",null,"Gates Henry Louis"]
[null,null,"Titolo",null,"Figures in black [[electronic resource] ] : words, signs, and the \"racial\" self / / Henry Louis Gates, Jr"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Oxford University Press, c1987"]
[null,null,"ISBN",null,"0-19-972917-4"]
[{"$nulls":4},"1-280-52425-1"]
[{"$nulls":4},"9786610524259"]
[null,null,"Descrizione fisica",null,"1 online resource (348 p.)"]
[null,null,"Disciplina",null,"810.9"]
[null,null,"Soggetti",null,"American literature - African American authors - History and criticism"]
[{"$nulls":4},"African Americans in literature"]
[{"$nulls":4},"Slavery in literature"]
[{"$nulls":4},"Race awareness in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Literary theory and the Black tradition -- Phillis Wheatley and the Nature of the Negro -- Binary oppositions in chapter one of Narrative of the life of Frederick Douglass, an American slave. Written by himself -- Frederick Douglass and the language of the self -- Parallel discursive universes : fictions of the self in Harriet E. Wilson's Our Nig -- Dis and dat : dialect and the descent -- The same difference : reading Jean Toomer, 1923- 1983 -- Song of a racial self : on Sterling A. Brown -- The blackness of Blackness."]
[null,null,null,"Sommario/riassunto","For over two centuries, critics and the black community have tended to approach African-American literature as simply one more front in the important war against racism, valuing slave narratives and twentieth-century works alike, primarily for their political impact. In this volume, Henry Louis Gates, Jr., a leading scholar in African-American studies, attacks the notion of African-American literature as a kind of social realism. Insisting, instead, that critics focus on the most repressed element of African-American criticism--the language of the text--Gates advocates the use of a close, m"]