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[null,"1.","Record Nr.",null,"UNINA9910781972103321"]
[null,null,"Autore",null,"Roston Murray"]
[null,null,"Titolo",null,"The comic mode in English literature [[electronic resource] ] : from the Middle Ages to today / / Murray Roston"]
[null,null,"Pubbl/distr/stampa",null,"London, : Continuum, 2011"]
[null,null,"ISBN",null,"1-283-32203-X"]
[{"$nulls":4},"9786613322036"]
[{"$nulls":4},"1-4411-3248-1"]
[null,null,"Descrizione fisica",null,"1 online resource (287 p.)"]
[null,null,"Soggetti",null,"English literature - History and criticism"]
[{"$nulls":4},"Comedy - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction; Late Medieval; a) The Second Shepherds' Play; b) Chaucer, The Canterbury Tales; c) Medwall, Fulgens and Lucrece; The Renaissance; a) Shakespeare, A Midsummer Night's Dream; b) Falstaff; c) Donne, The Flea; d) Marvell, The Garden; The Restoration and Eighteenth Century; a) Restoration Comedy; b) Pope, The Rape of the Lock; c) The Vogue of Sentiment; d) Sterne, Tristram Shandy; The Nineteenth Century; a) Austen, Emma; b) Dickens, The Pickwick Papers; c) Poking Fun at the Establishment; d) Wilde, The Importance of Being Earnest; e) Jerome K. Jerome, Three Men in a Boat"]
[{"$nulls":4},"The Twentieth Centurya) George Bernard Shaw; b) Stella Gibbons, Cold Comfort Farm; c) Beckett, Waiting for Godot; d) Kingsley Amis, Lucky Jim; e) Malcolm Bradbury, The History Man; f) Helen Fielding, Bridget Jones's Diary; Notes; Works Cited - on the Comic; Works Cited - General; Index"]
[null,null,null,"Sommario/riassunto","From Chaucer's The Canterbury Tales to Helen Fielding's Bridget Jones's Diary, this is a comprehensive guide to comedy in the English literary canon. Beginning with a critical exploration of historical and philosophical theories of humour, the book then supplies close-readings of a wide range of major texts, authors and genres from the Medieval period to the present.  The Comic Mode in English Literature examines such texts as:  Shakespeare's A Midsummer Night's DreamPope's The Rape of the LockAusten's Emma"]