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[null,"1.","Record Nr.",null,"UNINA9910784571703321"]
[null,null,"Autore",null,"Watkinson John"]
[null,null,"Titolo",null,"The MPEG handbook : MPEG-1, MPEG-2, MPEG-4 / / John Watkinson"]
[null,null,"Pubbl/distr/stampa",null,"Oxford : , : Focal Press, , 2004"]
[null,null,"ISBN",null,"1-136-02897-8"]
[{"$nulls":4},"1-136-02898-6"]
[{"$nulls":4},"1-281-00867-2"]
[{"$nulls":4},"9786611008673"]
[{"$nulls":4},"0-08-047953-7"]
[null,null,"Edizione",null,"[2nd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (449 p.)"]
[null,null,"Disciplina",null,"621.38970218"]
[null,null,"Soggetti",null,"MPEG (Video coding standard)"]
[{"$nulls":4},"Data compression (Telecommunication) - Standards"]
[{"$nulls":4},"Sound - Recording and reproducing - Digital techniques - Standards"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Previous ed.: 2001."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; The MPEG Handbook: MPEG-1, MPEG-2, MPEG-4; Copyright; Contents; Preface; Acknowledgements; 1 Introduction to compression; 1.1 What is MPEG?; 1.2 Why compression is necessary; 1.3 MPEG-1, 2, 4 and H.264 contrasted; 1.4 Some applications of compression; 1.5 Lossless and perceptive coding; 1.6 Compression principles; 1.7 Video compression; 1.7.1 Intra-coded compression; 1.7.2 Inter-coded compression; 1.7.3 Introduction to motion compensation; 1.7.4 Film-originated video compression; 1.8 Introduction to MPEG-1; 1.9 MPEG-2: Profiles and Levels; 1.10 Introduction to MPEG-4"]
[{"$nulls":4},"1.11 Introduction to H.264 (AVC)1.12 Audio compression; 1.12.1 Sub-band coding; 1.12.2 Transform coding; 1.12.3 Predictive coding; 1.13 MPEG bitstreams; 1.14 Drawbacks of compression; 1.15 Compression pre-processing; 1.16 Some guidelines; References; 2 Fundamentals; 2.1 What is an audio signal?; 2.2 What is a video signal?; 2.3 Types of video; 2.4 What is a digital signal?; 2.5 Sampling; 2.6 Reconstruction; 2.7 Aperture effect; 2.8 Choice of audio sampling rate; 2.9 Video sampling structures; 2.10 The phase-locked loop; 2.11 Quantizing; 2.12 Quantizing error; 2.13 Dither"]
[{"$nulls":4},"2.14 Introduction to digital processing2.15 Logic elements; 2.16 Storage elements; 2.17 Binary coding; 2.18 Gain control; 2.19 Floating-point coding; 2.20 Multiplexing principles; 2.21 Packets; 2.22 "]
[{"$nulls":4},"Statistical multiplexing; 2.23 Timebase correction; References; 3 Processing for compression; 3.1 Introduction; 3.2 Transforms; 3.3 Convolution; 3.4 FIR and IIR filters; 3.5 FIR filters; 3.6 Interpolation; 3.7 Downsampling filters; 3.8 The quadrature mirror filter; 3.9 Filtering for video noise reduction; 3.10 Warping; 3.11 Transforms and duality; 3.12 The Fourier transform"]
[{"$nulls":4},"3.13 The discrete cosine transform (DCT)3.14 The wavelet transform; 3.15 The importance of motion compensation; 3.16 Motion-estimation techniques; 3.16.1 Block matching; 3.16.2 Gradient matching; 3.16.3 Phase correlation; 3.17 Motion-compensated displays; 3.18 Camera-shake compensation; 3.19 Motion-compensated de-interlacing; 3.20 Compression and requantizing; References; 4 Audio compression; 4.1 Introduction; 4.2 The deciBel; 4.3 Audio level metering; 4.4 The ear; 4.5 The cochlea; 4.6 Level and loudness; 4.7 Frequency discrimination; 4.8 Critical bands; 4.9 Beats"]
[{"$nulls":4},"4.10 Codec level calibration4.11 Quality measurement; 4.12 The limits; 4.13 Compression applications; 4.14 Audio compression tools; 4.15 Sub-band coding; 4.16 Audio compression formats; 4.17 MPEG audio compression; 4.18 MPEG Layer I audio coding; 4.19 MPEG Layer II audio coding; 4.20 MPEG Layer III audio coding; 4.21 MPEG-2 AAC - advanced audio coding; 4.22 Dolby AC-3; 4.23 MPEG-4 audio; 4.24 MPEG-4 AAC; 4.25 Compression in stereo and surround sound; References; 5 MPEG video compression; 5.1 The eye; 5.2 Dynamic resolution; 5.3 Contrast; 5.4 Colour vision; 5.5 Colour difference signals"]
[{"$nulls":4},"5.6 Progressive or interlaced scan?"]
[null,null,null,"Sommario/riassunto","A complete, professional 'bible' on all aspects of audio and video compression using MPEG technology, including the MPEG-4 standard and, in this second edition, H-264. The clarity of explanation and depth of technical detail combine to make this book an essential and definitive reference work.THE MPEG HANDBOOK is both a theoretical and practical treatment of the subject. Fundamental knowledge is provided alongside practical guidance on how to avoid pitfalls and poor quality.  The often-neglected issues of reconstructing the signal timebase at the decoder and of"]
[null,"2.","Record Nr.",null,"UNINA9910781781803321"]
[null,null,"Autore",null,"Armenteros Carolina"]
[null,null,"Titolo",null,"The French idea of history [[electronic resource] ] : Joseph de Maistre and his heirs, 1794-1854 / / Carolina Armenteros"]
[null,null,"Pubbl/distr/stampa",null,"Ithaca, : Cornell University Press, 2011"]
[null,null,"ISBN",null,"0-8014-6260-6"]
[{"$nulls":4},"0-8014-6259-2"]
[null,null,"Descrizione fisica",null,"1 online resource (375 p.)"]
[null,null,"Disciplina",null,"907.2/044"]
[null,null,"Soggetti",null,"HISTORY / Europe / France"]
[{"$nulls":4},"France Historiography"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"pt. 1. Joseph de Maistre and the idea of history, 1794-1820: The statistical beginnings of historical thought : Joseph de Maistre against Jean-Jacques Rousseau, 1794-96 ; Maistrian epistemology and pedagogy in historical perspective ; A Europeanist theory of history : Du pape ; Redemption by suffering : social violence and historical development in the Éclaircissement sur les sacrifices ; Returning the universe to God : time, will, and reason in Les soirées de Saint-Pétersbourg -- pt. 2. Historical thought in France, 1798-1845: The new truth of historical knowledge : liberty, order, and the rise of the social fact, 1797-1848 ; Historical progress and the logic of sacrifice, 1822-54 ; The metapolitics of history : socialism, positivism, and tradition, 1820-48."]
[null,null,null,"Sommario/riassunto","\"A fierce absolutist, a furious theocrat . . . the champion of the hardest, narrowest, and most inflexible dogmatism . . . part learned doctor, part inquisitor, part executioner.\" Thus did Émile Faguet describe Joseph-Marie de Maistre (1753-1821) in his 1899 history of nineteenth-century thought. This view of the influential thinker as a reactionary has, with little variation, held sway ever since. In The French Idea of History, Carolina Armenteros recovers a very different figure, one with a far more subtle understanding of, and response to, the events of his day.Maistre emerges from this deeply learned book as the crucial bridge between the Enlightenment and the historicized thought of the nineteenth century. Armenteros demonstrates that Maistre inaugurated a specifically French way of thinking about past, present, and future "]
[{"$nulls":4},"that held sway not only among conservative political theorists but also among intellectuals generally considered to belong to the left, particularly the Utopian Socialists."]