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[null,"1.","Record Nr.",null,"UNINA9910781681003321"]
[null,null,"Autore",null,"Randall Martin"]
[null,null,"Titolo",null,"9/11 and the literature of terror [[electronic resource] /] / Martin Randall"]
[null,null,"Pubbl/distr/stampa",null,"Edinburgh, : Edinburgh University Press, c2011"]
[null,null,"ISBN",null,"0-7486-5182-9"]
[{"$nulls":4},"0-7486-4697-3"]
[null,null,"Descrizione fisica",null,"1 online resource (185 p.)"]
[null,null,"Disciplina",null,"810.9358"]
[null,null,"Soggetti",null,"September 11 Terrorist Attacks, 2001, in literature"]
[{"$nulls":4},"September 11 Terrorist Attacks, 2001 - Influence"]
[{"$nulls":4},"Literature, Modern - 21st century - History and criticism"]
[{"$nulls":4},"New York (N.Y.) In literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [161]-167) and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgements -- Introduction: Eyewitnesses, Conspiracies and Baudrillard -- 1. ‘Beyond Belief’: McEwan, DeLillo and 110 Stories -- 2. ‘Total Malignancy . . . Militant Irony’: Martin Amis, The Second Plane -- 3. ‘You Know How it Ends’: Metafiction and 9/11 in Windows on the World -- 4. ‘A Wing and a Prayer’: Simon Armitage, Out of the Blue -- 5. ‘A Certain Blurring of the Facts’: Man on Wire and 9/11 -- 6. ‘He is Consoling, She is Distraught’: Men and Women and 9/11 in The Mercy Seat and The Guys -- 7. ‘Everything Seemed to Mean Something’: Signifying 9/11 in Don DeLillo’s Falling Man -- Conclusion: ‘I am a Lover of America’ -- Notes -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Explores the fiction, poetry, theatre and cinema that have represented the 9/11 attacks. Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications."]