{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":18,"n_cols":5,"rows_kept":18,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[11,2,11,3],[12,2,12,3],[16,2,16,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910781550803321"]
[null,null,"Autore",null,"Newton Candelas"]
[null,null,"Titolo",null,"Lorca, una escritura en trance [[electronic resource] ] : Libro de poemas y Diván del Tamarit / / Candelas Newton"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam ; ; Philadelphia, : J. Benjamins Pub., 1992"]
[null,null,"ISBN",null,"1-283-35854-9"]
[{"$nulls":4},"9786613358547"]
[{"$nulls":4},"90-272-7732-X"]
[null,null,"Descrizione fisica",null,"1 online resource (261 p.)"]
[null,null,"Collana",null,"Purdue University monographs in Romance languages, , 0165-8743 ; ; v. 40"]
[null,null,"Disciplina",null,"861.62"]
[{"$nulls":4},"861/.62"]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [233]-239) and index."]
[null,null,"Nota di contenuto",null,"pt. 1. Libro de poemas -- pt. 2. Diván del Tamarit."]
[null,null,null,"Sommario/riassunto","Lorca's poetry is founded upon a complex symbolical system of recurring motifs. This book analyses a number of those motifs as poetic signs through a contextual reading of Libro de poemas (1921) and Diván del Tamarit (1940) as the initial and final stages of Lorca's career. The sexual and religious crisis voiced in Libro de poemas achieves poetic articulation through the sign of the star, while the betrayal of childhood's fairytale is evidenced in the sign of the moon. Diván del Tamarit exemplifies the trancelike writing of the poetry of \"opening up one's veins\" as"]