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[null,"1.","Record Nr.",null,"UNINA9910781538203321"]
[null,null,"Autore",null,"Pickowicz Paul"]
[null,null,"Titolo",null,"China on film [[electronic resource] ] : a century of exploration, confrontation, and controversy / / Paul G. Pickowicz"]
[null,null,"Pubbl/distr/stampa",null,"Lanham, : Rowman & Littlefield Publishers, Inc., 2012"]
[null,null,"ISBN",null,"1-4422-1180-6"]
[{"$nulls":4},"9786613362261"]
[{"$nulls":4},"1-283-36226-0"]
[null,null,"Descrizione fisica",null,"1 online resource (377 p.)"]
[null,null,"Disciplina",null,"791.43095109/04"]
[null,null,"Soggetti",null,"Motion picture industry - China - History - 20th century"]
[{"$nulls":4},"Motion pictures - Political aspects - China - History - 20th century"]
[{"$nulls":4},"Motion pictures - Social aspects - China - History - 20th century"]
[{"$nulls":4},"China In motion pictures"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: the sorrows and joys of Chinese filmmaking: political and personal contexts -- Shanghai twenties: early Chinese cinematic explorations of the modern marriage -- The theme of spiritual pollution in Chinese films of the 1930s -- Melodramatic representation and the \"May fourth\" tradition of Chinese filmmaking -- Never-ending controversies: the case of remorse in Shanghai and occupation-era  Chinese filmmaking -- Victory as defeat: postwar visualizations of China's war of resistance -- Acting like revolutionaries: Shi Hui, The Wenhua Studio, and private-sector filmmaking, 1949-1952 -- Zheng Junli, complicity, and the cultural history of socialist China, 1949-1976 -- The limits of thaw: Chinese cinema in the early 1960s -- Popular cinema and political thought in early Post-Mao China: reflections on official pronouncements, film, and the film audience -- On the eve of Tiananmen: Huang Jianxin and the notion of postsocialism -- Velvet prison and the political economy of Chinese filmmaking in the late 1980s and early 1990s -- Social and political dynamics of underground filmmaking in early twenty-first century China."]
[null,null,null,"Sommario/riassunto","Leading scholar Paul G. Pickowicz traces the dynamic history of Chinese filmmaking and its stunning development decade-by-decade since the 1920s. During the last one hundred years, China has been embroiled in a seemingly unending series of wars, revolutions, and jarring social "]
[{"$nulls":4},"transformations. Despite daunting censorship obstacles, Chinese filmmakers have found ingenious ways of taking political stands and weighing in-for better or worse-on the most explosive social, cultural, and economic issues of the day. Exploring the often gut-wrenching controversies generated by their w"]