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[null,"1.","Record Nr.",null,"UNINA9910781489803321"]
[null,null,"Autore",null,"Tapia Ruby C"]
[null,null,"Titolo",null,"American pietàs [[electronic resource] ] : visions of race, death, and the maternal / / Ruby C. Tapia"]
[null,null,"Pubbl/distr/stampa",null,"Minneapolis, : University of Minnesota Press, 2011"]
[null,null,"ISBN",null,"1-4529-4615-9"]
[{"$nulls":4},"0-8166-7659-3"]
[null,null,"Descrizione fisica",null,"1 online resource (240 p.)"]
[null,null,"Collana",null,"Critical American studies series"]
[null,null,"Disciplina",null,"306.874/30973"]
[null,null,"Soggetti",null,"Motherhood in popular culture - United States"]
[{"$nulls":4},"Death in popular culture - United States"]
[{"$nulls":4},"Ethnicity - United States"]
[{"$nulls":4},"Pietà"]
[{"$nulls":4},"Mothers in art"]
[{"$nulls":4},"Death in art"]
[{"$nulls":4},"Race in art"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Machine generated contents note: 1.Maternal Visions, Racial Seeing: Theories of the Photographic in Barthes's Camera Lucida -- 2.Commemorating Whiteness: The Ghost of Diana in the U.S. Popular Press -- 3.Beloved Therapies: Oprah and the Hollywood Production of Maternal Horror -- 4.Prodigal (Non)Citizens: Teen Pregnancy and Public Health at the Border -- 5.Breeding Patriotism: The Widows of 9/11 and the Prime-time Wombs of National Memory."]
[null,null,null,"Sommario/riassunto","In \"\"American Pietas,\"\" Ruby C. Tapia reveals how visual representations of racialized motherhood shape and reflect national citizenship. By means of a sustained engagement with Roland Barthes's suturing of race, death, and the maternal in \"\"Camera Lucida,\"\" Tapia contends that the contradictory essence of the photograph is both as a signifier of death and a guarantor of resurrection. Tapia explores the implications of this argument for racialized productions of death and the maternal in the context of specific cultural moments: the commemoration of Princess Diana in U.S. magazines; the intert"]