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[null,"1.","Record Nr.",null,"UNINA9910781471503321"]
[null,null,"Titolo",null,"Papers from the annual Symposium on Arabic Linguistics / / editors, Mushira Eid, Dilworth Parkinson"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam : , : John Benjamins Pub. Co., , 1996"]
[null,null,"ISBN",null,"1-283-31254-9"]
[{"$nulls":4},"9786613312549"]
[{"$nulls":4},"90-272-7621-8"]
[null,null,"Descrizione fisica",null,"1 online resource (257 pages) : illustrations"]
[null,null,"Collana",null,"Amsterdam studies in the theory and history of linguistic science. Series IV, Current issues in linguistic theory, , 0304-0763 ; ; v. 141"]
[{"$nulls":4},"Perspectives on Arabic linguistics ; ; IX"]
[null,null,"Disciplina",null,"492.7"]
[{"$nulls":4},"492.705"]
[null,null,"Soggetti",null,"Arabic language"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"PERSPECTIVES ON ARABIC LINGUISTICS IX; Editorial page; Title page; Copyright page; Table of contents; FOREWORD; INTRODUCTION; I. CODESWITCHING WITH ARABIC; ARABIC AND CONSTRAINTS ON CODESWITCHING; EMBEDDING VERBS AND COLLOCATIONSIN MOROCCAN ARABIC/DUTCH CODESWITCHING; CODESWITCHING, CODE-MIXING, AND BORROWINGIN THE SPOKEN ARABIC OF A THEATRICALCOMMUNITY IN CAIRO; II. GRAMMATICAL PERSPECTIVES; IMPLICATIONAL DIALECTOLOGY: SECOND PERSONPRONOUNS AND SUFFIXES IN TUNISIAN ARABIC; CLITIC LEFT DISLOCATION IN MOROCCAN ARABIC; ACCESSING PHARYNGEAL PLACEIN PALESTINIAN ARABIC"]
[{"$nulls":4},"THE DERIVATION OF THE IMPERATIVE IN ARABIC; III. PERSPECTIVES ON THEACQUISITION OF ARABIC; RESETTING PARAMETERS IN ACQUIRING ARABIC; ELLIPSIS AS A MIRROR OF CASE AND AGREEMENTPRINCIPLES IN LANGUAGE ACQUISITION; IV. NEGATION IN ARABIC; THE NEGATION maašiiIN A YAAFI'I DIALECT (YEMEN); NEGATION IN SOME ARABIC DIALECTS OF THETIHAAMAH OF THE YEMEN; MA-TI RAF XEER-I:VERBAL NEGATION IN EGYPTIAN AND MOROCCAN ARABICPROVERBS; INDEX OF SUBJECTS"]
[null,null,null,"Sommario/riassunto","This volume includes twelve papers selected from the Ninth Annual Symposium on Arabic Linguistics, held at Georgetown University, "]
[{"$nulls":4},"Washington D.C., 1995. Three of the papers deal with codeswitching with Arabic, two with the acquisition of Arabic, and four with different aspects of Arabic grammatical structure. The volume also includes three papers presenting data on negation in some Arabic dialects (including those of Yemen, Morocco, Egypt).The topics are diverse and include Arabic and constraints on codeswitching, verb embeddings and collocations in codeswitching, ellipsis in child langu"]
[null,"2.","Record Nr.",null,"UNINA9910814141003321"]
[null,null,"Autore",null,"Young Miriama <1975->"]
[null,null,"Titolo",null,"Singing the body electric : the human voice and sound technology / / Miriama Young"]
[null,null,"Pubbl/distr/stampa",null,"London, England : , : Zed Books, , 2016"]
[{"$nulls":4},"[London, England] : , : Bloomsbury Publishing, , 2021"]
[null,null,"ISBN",null,"1-317-05485-7"]
[{"$nulls":4},"1-315-60916-9"]
[{"$nulls":4},"1-317-05484-9"]
[{"$nulls":4},"1-4724-5853-2"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (232 p.)"]
[null,null,"Disciplina",null,"783.04"]
[null,null,"Soggetti",null,"Electronic music - History and criticism"]
[{"$nulls":4},"Music - Philosophy and aesthetics"]
[{"$nulls":4},"Voice - Psychological aspects"]
[{"$nulls":4},"Sound recordings - Production and direction"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"First published 2015 by Ashgate Publishing\"--Title page verso."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. Electric voice, plastic body : vocal materiality and cultural consumption -- 2. Cut and splice : vocal cuts and loops, dissected and aberrant bodies -- 3. Machines as voice, voice as machine -- 4. Scratch and mix : sampling the human voice in the [metaphorical] phonograph -- 5. Quiet interiors : the voice and pod listening."]
[null,null,null,"Sommario/riassunto","Singing the Body Electric explores the relationship between the human voice and technology, offering startling insights into the ways in which technological mediation affects our understanding of the voice, and more generally, the human body. From the phonautograph to magnetic tape and now to digital sampling, Miriama Young visits particular musical and literary works that define a century-and-a-half of recorded sound. She discusses the way in which the human voice is captured, transformed or synthesised through technology. This includes the sampled voice, the mechanical voice, the technologi"]