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[null,"1.","Record Nr.",null,"UNINA9910781246903321"]
[null,null,"Autore",null,"Denzin Norman K."]
[null,null,"Titolo",null,"Custer on canvas : representing Indians, memory, and violence in the new West / / Norman K. Denzin"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 2016"]
[null,null,"ISBN",null,"1-315-43075-4"]
[{"$nulls":4},"1-315-43076-2"]
[{"$nulls":4},"1-315-43077-0"]
[{"$nulls":4},"1-61132-798-9"]
[null,null,"Descrizione fisica",null,"1 online resource (297 p.)"]
[null,null,"Disciplina",null,"973.8/2092"]
[null,null,"Soggetti",null,"Little Bighorn, Battle of the, Mont., 1876"]
[{"$nulls":4},"Little Bighorn, Battle of the, Mont., 1876, in art"]
[{"$nulls":4},"Indians in art"]
[{"$nulls":4},"Indians in popular culture - Montana - Little Bighorn Battlefield"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","First published 2011 by Left Coast Press, Inc."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Introduction; Dramatis Personae; Chapter One - A Good Day to Die: The Battle of Many Names; Chapter Two - Whose Last Stand? The Early Paintings; Chapter Three - Whose Custer?; Chapter Four - Killing Custer; Chapter Five - Here Fell Custer: An Autoethnography of a Painting; Chapter Six - Custer's Last Rally; Chapter Seven - The Last Stand; Appendix A - Timeline: The Plains Indian Wars (1860-1890) and the Battle of Many Names (1876); Appendix B - Timeline: Paintings of the Battle of Many Names; Appendix C - Timeline: William F. \"Buffalo Bill\" Cody; Notes"]
[{"$nulls":4},"List of Plates and CreditsReferences; Index; About the Author; Section of color plates"]
[null,null,null,"Sommario/riassunto","The 1876 events known as Custer's Last Stand, Battle of Little Big Horn, or Battle of Greasy Grass have been represented over 1000 times in various artistic media, from paintings to sculpture to fast food giveaways. Norman Denzin shows how these representations demonstrate the changing perceptions-often racist-of Native America by the majority culture, juxtaposed against very different readings shown in works composed by Native American artists. Consisting of autobiographical reminiscences, historical description, artistic representations, staged readings, and snippets of documents, this"]