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[null,"1.","Record Nr.",null,"UNINA9910781106603321"]
[null,null,"Titolo",null,"Music in German Philosophy : An Introduction / / Stefan Lorenz Sorgner, Oliver Fürbeth"]
[null,null,"Pubbl/distr/stampa",null,"Chicago : , : University of Chicago Press, , [2011]"]
[{"$nulls":4},"©2011"]
[null,null,"ISBN",null,"9786613058584"]
[{"$nulls":4},"1-283-05858-8"]
[{"$nulls":4},"0-226-76839-2"]
[null,null,"Descrizione fisica",null,"1 online resource (310 p.)"]
[null,null,"Disciplina",null,"781.1/70943"]
[null,null,"Soggetti",null,"Music and philosophy - Germany"]
[{"$nulls":4},"Music - Philosophy and aesthetics"]
[{"$nulls":4},"Philosophers - Germany"]
[{"$nulls":4},"Philosophy, German"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Foreword -- Preface -- Translator's Note -- Introduction to the English-Language Edition -- Introduction -- Kant: Christel Fricke -- Schleiermacher: Gunter Scholtz -- Hegel: Herbert Schnädelbach -- Schelling: Berbeli Wanning -- Schopenhauer: Günter Zöller -- Nietzsche: Stefan Lorenz Sorgner -- Bloch: Francesca Vidal -- Heidegger: Günther Pöltner -- Gadamer: Beate Regina Suchla -- Adorno: Lucia Sziborsky -- Contributors -- Index"]
[null,null,null,"Sommario/riassunto","Though many well-known German philosophers have devoted considerable attention to music and its aesthetics, surprisingly few of their writings on the subject have been translated into English. Stefan Lorenz Sorgner, a philosopher, and Oliver Fürbeth, a musicologist, here fill this important gap for musical scholars and students alike with this compelling guide to the musical discourse of ten of the most important German philosophers, from Kant to Adorno. Music in German Philosophy includes contributions from a renowned group of ten scholars, including some of today's most prominent German thinkers, all of whom are specialists in the writers they treat. Each chapter consists of a short biographical sketch of the philosopher concerned, a summary of his writings on aesthetics, and finally a detailed exploration of his thoughts on music. The book is prefaced by the "]
[{"$nulls":4},"editors' original introduction, presenting music philosophy in Germany before and after Kant, as well as a new introduction and foreword to this English-language addition, which places contemplations on music by these German philosophers within a broader intellectual climate."]